How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.

How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.

The Vaudeville Theatre is facing the Exchange in the Place de la Bourse, and retains a very good share of the patronage of the public; their performances are, for the most part, very good, and the pieces which are mostly played, are such as the name of the theatre indicates.  Felix and Lepeintre jeune are much liked, Bardou is an excellent actor, Arnal a famous low comedian, M. and Mad.  Taigny possessing very fair talent, and are called the pretty couple.  Mesdames Doche and Thenard not without merit, and on the whole their corps dramatic is much above mediocrity.  Their light, comic, and amusing little pieces are well calculated to chase away a heavy hour.  They commence at a quarter past seven, and the prices are much the same as at the Variete.

To the Porte St. Martin I have already alluded, situated on the Boulevart of the same name, although they often give very interesting pieces as melodramas, light comedies, etc., and always had some very good actors, yet it has seldom had the success to which the exertions of the proprietors were entitled.  After a total failure the theatre has been re-opened, and amongst the actors there are some of known talent; Frederick Lemaitre may be considered their brightest star, once so celebrated in the role of Robert Macaire, Clarence, Raucour, Bocage, and Melingue sustain their parts very fairly, and the same may be said of Mesdames Klotz and Fitzjames, who are more than passable actresses.  The pieces begin as low as twelve sous, and rise to six francs.  The performances commence at seven.

The Ambigu Comique is a theatre situated on the Boulevart St. Martin, and also for melodramas and vaudevilles; it has not been much more fortunate than its neighbour the Theatre Porte St. Martin, and the representations are very similar at both.  St. Ernest, as an actor, and Madame Boutin, as an actress, appear to be the favourites amongst rather a numerous company, of which some are far from being indifferent performers.  The prices are very modest, commencing at only ten sous, and elevating to four francs; it begins at seven.

The Gaiete, on the Boulevart du Temple, is another theatre of much the same description; at present, however, the company is considered to be very good:  the strength consisting of Neuville, the brothers Francisque and Deshays, and of the females, Madame Gautier, Clarisse, Leontine, Abit, and Melanie are considered the best.  Some pieces have come out at this theatre that have had a great run.  The prices begin at eight sous and rise to five francs.  They also commence at seven.

The Theatre des Folies Dramatiques is likewise on the Boulevart du Temple, and varies very slightly from the last, except being one grade inferior, and the prices in proportion, commencing at six sous, and not mounting higher than two francs five sous, and yet the performances are often not by any means contemptible.  They begin at half-past six.

M. Comte has a theatre in the Passage Choiseul where children perform, which may be considered as a sort of nursery for the theatres in general; but what afford the most amusement are his extraordinary feats of legerdemain, which are certainly wonderfully clever.  The prices are from about one franc to five francs.

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How to Enjoy Paris in 1842 from Project Gutenberg. Public domain.