How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.

How to Enjoy Paris in 1842 eBook

This eBook from the Gutenberg Project consists of approximately 381 pages of information about How to Enjoy Paris in 1842.
every part she undertakes.  Mademoiselle Prevost has for many years sustained a certain reputation as one of the principal singers at this theatre, for my own part I always thought her rather heavy and a want of feeling and expression both in her acting and singing.  Madame Rossi Caccia, although only just returned from Italy, belongs to the company, she has a most admirable voice and is a great acquisition to the theatre, at which, on the whole, the amusements are of the most delightful description.  The prices are from 30 sous to 7 francs 10 sous.  They begin at 7.

The Theatre-Francais in the Rue Richelieu holds the first rank, for the drama, of any theatre in France, where Talma, Duchesnois, Mars and Georges have so often enchanted not only the French public, but persons of all nations who were assembled in Paris, and on these boards Mlle Rachel now displays her magic art; nor are the attractions of Mlle Plessis to be passed over unnoticed, but as she has lately been to London, my country people can form a better judgment of her than from any description I can give.  Mlle Anais is an actress who has been and is still rather a favourite, although now not young.  Mlle Mantes is a fine woman upon a large scale, plays well and has been many years on the stage, but never created any sensation; Mlle Maxime rather stands high in the public estimation; Mlle Noblet and Mme Guyon possess moderate talent acquit themselves well, and are much liked, generally speaking.  At present Ligier is considered their best tragedian, but principally owes what fame he has, to their actors in that department being of so mediocre a description, some people prefer Beauvallet but not the majority, their abilities are very nearly of the same stamp.  Guyon is a fine young man, and plays the parts of young heroes very fairly.  Geffroy is another, possessing sufficient merit to escape condemnation.  As comic actors they have Regnier who may be placed upon the moderate list; Samson is certainly much better, and in fact by no means destitute of talent, which may decidedly be also stated of Firmin; Provost is likewise a very passable actor.  Comedy is indeed their fort, it is far more pure than ours; I remember making that remark to the celebrated John Kemble at the time he was residing at Toulouse, and adding that I considered our comic actors gave way too much to grimace and buffoonery.  Kemble replied, “Don’t blame the actors for that, it is owing to the bad taste of the audience, by whom it is always applauded, and a thoroughly chaste performance, without some caricature, would not stand the same chance of success.”  The prices at the Theatre Francais are from 1 fr. 5 sous varying up to 6 fr. 12 sous, according to that part of the house in which you choose your seat; they begin sometimes 1/4 before 7.

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How to Enjoy Paris in 1842 from Project Gutenberg. Public domain.