volume is not intended to challenge approbation, but to be the precursor of something which may challenge it in future:  it is not an attempt to gain the prize, but a specimen of his powers, which may entitle him to the honour of standing candidate for that prize.  The reader will here find the genuine effusions of a youthful fancy, free, yet not uncontrolled; a collection of pieces, exempt from negligence and inaccuracy, though not from the usual and inevitable faults of early compositions.  To offer less than this would be arrogant, and to require more than this would be unreasonable.

“Gustavus Vasa” was originally planned (the reader will smile) at eleven years of age.  When the author began to know what poetry was, his first design was to write an epic poem—­no matter of what sort or character, so it was an epic poem.  The subject was soon chosen; and the progress of the work was various:  sometimes hurried on with all the ardour of hope and enterprize, sometimes relinquished for more lively pursuits, and left to sleep for months in the leaves of a portfolio.  In this manner were six long cantos completed.  At length the author, in his thirteenth year, perceived numerous faults and extravagances in his early composition.  He destroyed the manuscript:  and some time after recommenced his poem on a new and more rational plan.  Accordingly, the first and part of the second book, were written in 1810, and the rest of the work which is published in this volume, principally in 1812.  All that is yet completed of this production (except the sequel of the fourth book, and the whole fifth, which are yet uncorrected) is here presented to the public; and on its success the continuation of “Gustavus Vasa” depends.

It was designed to embrace the whole actions of the hero, from his first signalizing himself under Steen Sture, to his death in 1560; but as all this could not be regularly related without destroying the unity of the poem, it was thought most convenient to begin with his introduction among the Dalecarlians at Mora, and conclude with his first election to the royalty, in 1523; the rest being introduced by means of narration, anticipation, and episode.

It will be doubtless objected, that the enterprize is beyond his powers, and that he acted rashly in undertaking it.  But this is no light scheme; no work, begun for want of other amusement, and deserted when a more specious or pleasing subject for poetry presented itself.  He has considered it seriously; the subject appears full of poetical capabilities, and superior to many others which offered themselves; and if the opinion of the world coincides with his own in this point, he has resolved to make it the favourite employment of his maturer years, and to reduce it as far as possible to perfection.  Part of his plan for continuing the poem, will be found in the Notes.