ILLUSTRATIONS.
Plate XXXIV.—Navajo woman spinning
376
XXXV.—Weaving
of diamond-shaped diagonals 380
XXXVI.—Navajo
woman weaving a belt 384
XXXVII.—Zuni
women weaving a belt 388
XXXVIII.—Bringing
down the batten 390
fig. 42.—Ordinary
Navajo blanket loom 378
43.—Diagram
showing formation of warp 379
44.—Weaving
of saddle-girth 382
45.—Diagram
showing arrangement of threads of
the
warp in the healds and on the rod 383
46.—Weaving
of saddle-girth 383
47.—Diagram
showing arrangement of healds in
diagonal
weaving 384
48.—Diagonal
cloth 384
49.—Navajo
blanket of the finest quality 385
50.—Navajo
blankets 386
51.—Navajo
blanket 386
52.—Navajo
blanket 387
53.—Navajo
blanket 387
54.—Part
of Navajo blanket 388
55.—Part
of Navajo blanket 388
56.—Diagram
showing formation of warp of sash 388
57.—Section
of Navajo belt 389
58.—Wooden
heald of the Zunis 389
59.—Girl
weaving (from an Aztec picture) 391
NAVAJO WEAVERS.
By Dr. Washington Matthews.
Sec. I. The art of weaving, as it exists among the Navajo Indians of New Mexico and Arizona, possesses points of great interest to the student of ethnography. It is of aboriginal origin; and while European art has undoubtedly modified it, the extent and nature of the foreign influence is easily traced. It is by no means certain, still there are many reasons for supposing, that the Navajos learned their craft from the Pueblo Indians, and that, too, since the advent of the Spaniards; yet the pupils, if such they be, far excel their masters to-day in the beauty and quality of their work. It may be safely stated that with no native tribe in America, north of the Mexican boundary, has the art of weaving been carried to greater perfection than among the Navajos, while with none in the entire continent is it less Europeanized. As in language, habits, and opinions, so in arts, the Navajos have been less influenced than their sedentary neighbors of the pueblos by the civilization of the Old World.