We will now see what the effect of water is in the felting operation. Especially hot water assists that operation, and the effect is a curious one. When acid is added as well, the felting is still further increased, and shrinking also takes place. As already shown you, the free ends of the scales, themselves softened by the warm dilute acid, are extended and project more, and stand out from the shafts of the hairs. On the whole, were I a hat manufacturer, I should prefer to buy my fur untreated by that nitric acid and mercury process previously referred to, and promote its felting properties myself by the less severe and more rational course of proceeding, such, for example, as treatment with warm dilute acid. We have referred to two enemies standing in the way to the obtainment of a final lustre and finish on felted wool or fur, now let us expose a third. In the black dyeing of the hat-forms a boiling process is used. Let us hear what Dr. Bowman, in his work on the wool fibre, says with regard to boiling with water. “Wool which looked quite bright when well washed with tepid water, was decidedly duller when kept for some time in water at a temperature of 160 deg. F., and the same wool, when subjected to boiling water at 212 deg. F., became quite dull and lustreless. When tested for strength, the same fibres which carried on the average 500 grains without breaking before boiling, after boiling would not bear more than 480 grains.” Hence this third enemy is a boiling process, especially a long-continued one if only with water itself. If we could use coal-tar colours and dye in only a warm weak acid bath, not boil, we could get better lustre and finish.