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Observe here in the tenth Bar to Sing the four first Notes in their order downwards and upwards, and in the Eleventh Bar you must first Sing the six Notes in their proper order:  After this repeat the four last Notes, viz. Fa, Le, D, Ce, taking Notice to leave out the two first Notes, viz. La, G, continually observing to Mark the Semitone between Fa, Le, which two Notes you must Sing by themselves in the Twelfth Bar.

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Take notice now further, that in the thirteenth Bar you Sing Fa, Le, D, Ce, down and up, as you find them pricked, and observe especially the three last, viz. Fa, Le, Fa, for this reason, viz. that it is a common close or ending of Tunes.

Also observe, if in any place you doubt you Sing right a repeated part of the six Notes, premised as are noted in the Eleventh and Thirteenth Bars:  Let all the six Notes be Sung over again in order, and so proceed distinctly to try at the Parts themselves.

The Second Example.

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You having now gone over the former Examples, must proceed by the same clue of Six Notes to descend three Gradations or Steps lower, viz. to G. which is to the Second Note of the first six, an Octave or Eighth.

First then, in the first Bar you must begin with a high pitch in your Voice, and so having Sung, as in the former Examples, La, G, Fa, Le, D, Ce, leave out La, and only Sing the Five last:  Then repeat only three in the Second Bar, viz. the three last La, D, Ce, calling them now not by those names, but by that of One, Two, Three, and though the names are altered, you must not alter the Tune or Tone.

Having thus proceeded, observe in the third Bar to Sing the Six Notes from Le, to G, naming them as the Bells One, Two, Three, Four, Five, Six; In such a manner, that the three first of these be in Tune, the same with the three last of the former Six; after, as I said, you have Sung them as the Bells, viz. One, Two, Three, Four, Five, at least four or five times, then as often Sing them again by their proper Names, viz. Le, D, Ce, B, La, G.

Observe again, that in the fourth Bar you Sing the four first Notes, La, D, Ce, B, about four times over; after that repeat Ce, B, by themselves taking good notice of their distance or differences, which is a Semitone like to Fa, Le above, _&c._