When it happens—as was the case with Lord Byron in Greece—that the same peculiar features of nature, over which Memory has shed this reflective charm, are reproduced before the eyes under new and inspiring circumstances, and with all the accessories which an imagination, in its full vigour and wealth, can lend them, then, indeed, do both the past and present combine to make the enchantment complete; and never was there a heart more borne away by this confluence of feelings than that of Byron. In a poem, written about a year or two before his death,[18] he traces all his enjoyment of mountain scenery to the impressions received during his residence in the Highlands; and even attributes the pleasure which he experienced in gazing upon Ida and Parnassus, far less to classic remembrances, than to those fond and deep-felt associations by which they brought back the memory of his boyhood and Lachin-y-gair.
He who first met the Highland’s
swelling blue,
Will love each peak that shows
a kindred hue,
Hail in each crag a friend’s
familiar face,
And clasp the mountain in
his mind’s embrace.
Long have I roam’d through
lands which are not mine,
Adored the Alp, and loved
the Apennine,
Revered Parnassus, and beheld
the steep
Jove’s Ida and Olympus
crown the deep:
But ‘twas not all long
ages’ lore, nor all
Their nature held me in their
thrilling thrall;
The infant rapture still survived
the boy,
And Loch-na-gar with Ida look’d
o’er Troy,
Mix’d Celtic memories
with the Phrygian mount,
And Highland linns with Castalie’s
clear fount.
In a note appended to this passage, we find him falling into that sort of anachronism in the history of his own feelings, which I have above adverted to as not uncommon, and referring to childhood itself that love of mountain prospects, which was but the after result of his imaginative recollections of that period.