And how he flees, and how his darts he throws:
And how his threats the fearful lover feels:
And how he robs by force, and how he steals:
How oft his wheels turn round (now high, now low)
With how uncertain hope, how certain woe:
How all his promises be void of faith,
And how a fire hid in our bones he hath:
How in our veins he makes a secret wound,
Whence open flames and death do soon abound.
In sum, I know how giddy and how vain
Be lovers’ lives; what fear and boldness reign
In all their ways; how every sweet is paid.
And with a double weight of sour allay’d:
I also know their customs, sighs, and songs;
Their sudden muteness, and their stammering tongues:
How short their joy, how long their pain doth last,
How wormwood spoileth all their honey’s taste.
ANNA HUME.
PART IV.
Poscia che mia fortuna in forza altrui.
When once my will
was captive by my fate,
And I had lost the liberty,
which late
Made my life happy; I, who
used before
To flee from Love (as fearful
deer abhor
The following huntsman), suddenly
became
(Like all my fellow-servants)
calm and tame;
And view’d the travails,
wrestlings, and the smart,
The crooked by-paths, and
the cozening art
That guides the amorous flock:
then whilst mine eye
I cast in every corner, to
espy
Some ancient or modern who
had proved
Famous, I saw him, who had
only loved
Eurydice, and found out hell,
to call
Her dear ghost back; he named
her in his fall
For whom he died. Aleaeus
there was known,
Skilful in love and verse:
Anacreon,
Whose muse sung nought but
love: Pindarus, he
Was also there: there
I might Virgil see:
Many brave wits I found, some
looser rhymes,
By others writ, hath pleased
the ancient times:
Ovid was one: after Catullus
came:
Propertius next, his elegies
the name
Of Cynthia bear: Tibullus,
and the young
Greek poetess, who is received
among
The noble troop for her rare
Sapphic muse.
Thus looking here and there
(as oft I use),
I spied much people on a flowery
plain,
Amongst themselves disputes
of love maintain.
Behold Beatrice with Dante;
Selvaggia, she
Brought her Pistoian Cino;
Guitton may be
Offended that he is the latter
named:
Behold both Guidos for their
learning famed:
Th’ honest Bolognian:
the Sicilians first
Wrote love in rhymes, but
wrote their rhymes the worst.
Franceschin and Sennuccio
(whom all know)
Were worthy and humane:
after did go
A squadron of another garb
and phrase,
Of whom Arnaldo Daniel hath