4. A Venetian Pastoral, by Giorgione; in the Louvre.
(In this picture, two cavaliers and an undraped woman are seated in the grass, with musical instruments, while another woman dips a vase into a well hard by, for water.)
Water, for anguish of the solstice,—yea,
Over the vessel’s mouth
still widening
Listlessly dipt to let the
water in
With slow vague gurgle. Blue, and
deep away,
The heat lies silent at the brink of day.
Now the hand trails upon the
viol-string
That sobs; and the brown faces
cease to sing,
Mournful with complete pleasure.
Her eyes stray
In distance; through her lips the pipe
doth creep
And leaves them pouting; the
green shadowed grass
Is cool against
her naked flesh. Let be:
Do not now speak unto her lest she weep,—
Nor name this ever. Be
it as it was:—
Silence of heat,
and solemn poetry.
5. “Angelica rescued from the Sea-monster,” by Ingres; in the Luxembourg.
A remote sky, prolonged to the sea’s
brim:
One rock-point standing buffetted
alone,
Vexed at its base with a foul
beast unknown,
Hell-spurge of geomaunt and teraphim:
A knight, and a winged creature bearing
him,
Reared at the rock: a
woman fettered there,
Leaning into the hollow with
loose hair
And throat let back and heartsick trail
of limb.
The sky is harsh, and the sea shrewd and
salt.
Under his lord, the griffin-horse
ramps blind
With rigid wings
and tail. The spear’s lithe stem
Thrills in the roaring of
those jaws: behind,
The evil length of body chafes at fault.
She doth not hear
nor see—she knows of them.
6. The same.
Clench thine eyes now,—’tis
the last instant, girl:
Draw in thy senses, set thy
knees, and take
One breath for all: thy
life is keen awake,—
Thou may’st not swoon. Was
that the scattered whirl
Of its foam drenched thee?—or
the waves that curl
And split, bleak spray wherein
thy temples ache?—
Or was it his the champion’s
blood to flake
Thy flesh?—Or thine own blood’s
anointing, girl?....
....Now, silence; for the sea’s
is such a sound
As irks not silence; and except
the sea,
All is now still.
Now the dead thing doth cease
To writhe, and drifts.
He turns to her: and she
Cast from the jaws of Death, remains there,
bound,
Again a woman
in her nakedness.
Papers of “The M. S. Society”
No. IV. Smoke.
I’m the king of the
Cadaverals,
I’m Spectral
President;
And, all from
east to occident,
There’s not a man whose
dermal walls
Contain so narrow intervals,
So lank a resident.