(If it hadn’t already taken place):
He called on his readers to fear and dread it,
Whilst he wrote it,—whilst they read it!”
“How simple! How beautifully simple,” said he,
“And obvious was the remedy!
Look back a century or so—
And there was the ancient Norman bow,
A weapon (he gave them leave to laugh)
Efficient, better, cheaper by half:
(He knew quite well the age abused it
Because, forsooth, the Normans used it)
These, planted in the citadel,
Would reach the walls say,—very well;
There, having spent their utmost force,
They’d drop down right, as a matter of course,
A thousand miles! Think—a thousand miles!
What was the weight for driving piles
To this? He calculated it—
’Twould equal, when both Houses sit,
The weight of the entire building,
Including Members, paint, and gilding;
But, if a speech or the address
From the throne were given, something less,
Because, as certain snores aver,
The House is then much heavier.
Now this, though very much a rub like
For Ministers, convinced the public;
And Priam, who liked to hear its brays
To any tune but “the Marseillaise,”
Summoned a Privy Council, where
’Twas shortly settled to confer
On Helenus a sole command
Of Specials.—He headed that
daring band!
And sixteen Specials in Priam’s
keep
Got up from their mahogany;
They smoked their pipes in silence deep
Till there was such a fog—any
Attempt to discover the priest in the
smother
Had bothered old Airy and Adams and t’other
And—Every son of an English
mother.
June, 1848.
No. II. Swift’s Dunces
“When a true genius appears in the world, you may know him by this sign, that the DUNCES are all in confederacy against him.”—Swift.
How shall we know the dunces from the man of genius, who is no doubt our superior in judgment, yet knows himself for a fool—by the proverb?
At least, my dear Doctor, you will let me, with the mass of readers, have clearer wits than the dunces—then why should I not know what you are as soon as, or sooner than Bavius, &c.—unless a dunce has a good nose, or a natural instinct for detecting wit.
Now I take it that these people stigmatized as dunces are but men of ill-balanced mental faculties, yet perhaps, in a great degree, superior to the average of minds. For instance, a poet of much merit, but more ambition, has written the “Lampiad,” an epic; when he should not have dared beyond the Doric reed: his ambitious pride has prevented the publication of excellent pastorals, therefore the world only knows him for his failure. This, I say, is a likely man to become a detractor; for his good judgment shows the imperfections of most works, his own included; his ambition (an ill-combination of self-conscious worth and spleen) leads him to compare works of the highest repute; the works of contemporaries; and his own. In all cases where success is most difficult, he will be most severe; this naturally leads him to criticise the very best works.