CANALIS (Baronne Melchior de), wife of the preceding and daughter of M. and Mme. Moreau (de l’Oise). About the middle of the reign of Louis Philippe, she being then recently married, she made a journey to Seine-et-Oise. She went first to Beaumont and Presles. Mme. de Canalis with her daughter and the Academician, occupied Pierrotin’s stage-coach. [A Start in Life.]
CANE (Marco-Facino), known as Pere Canet, a blind old man, an inmate of the Hospital des Quinze-Vingts, who during the Restoration followed the vocation of musician, at Paris. He played the clarionet at a ball of the working-people of rue de Charenton, on the occasion of the wedding of Mme. Vaillant’s sister. He said he was a Venetian, Prince de Varese, a descendant of the condottiere Facino Cane, whose conquests fell into the hands of the Duke of Milan. He told strange stories regarding his patrician youth. He died in 1820, more than an octogenarian. He was the last of the Canes on the senior branch, and he transmitted the title of Prince de Varese to a relative, Emilio Memmi. [Facino Cane. Massimilla Doni.]
CANTE-CROIX (Marquis de), under-lieutenant in one of the regiments which tarried at Angouleme from November, 1807, to March, 1808, while on its way to Spain. He was a Colonel at Wagram on July 6, 1809, although only twenty-six years old, when a shot crushed over his heart the picture of Mme. de Bargeton, whom he loved. [Lost Illusions.]
CANTINET, an old glass-dealer, and beadle of Saint-Francois church, Marais, Paris, in 1845; dwelt on rue d’Orleans. A drunken idler. [Cousin Pons.]
CANTINET (Madame), wife of preceding; renter of seats in Saint-Francois. Last nurse of Sylvain Pons, and a tool to the interests of Fraisier and Poulain. [Cousin Pons.]
CANTINET, Junior, would have been made beadle of Saint-Francois, where his father and mother were employed, but he preferred the theatre. He was connected with the Cirque-Olympique in 1845. He caused his mother sorrow, by a dissolute life and by forcible inroads on the maternal purse. [Cousin Pons.]