I was shewn a great curiosity by this able bibliographer; nothing less than a sheet, or broadside, containing specimens of types from Ratdolf’s press. This sheet is in beautiful preservation, and is executed in double columns. The first ten specimens are in the gothic letter, with a gradually diminishing type. The last is thus:
Hunc adeas mira quicunq: volumina queris Arte uel ex animo pressa fuisse tuo Seruiet iste tibi: nobis (sic) iure sorores Incolumem seruet vsq: rogare licet.
This is succeeded by three gradually diminishing specimens of the printer’s roman letter. Then, four lines of Greek, in the Jensonian or Venetian character: next, in large black letter, as below.[62]
But a still greater curiosity, in my estimation, was a small leaf; by way of advertisement, containing a list of publications issuing from the press of a printer whose name has not yet been discovered, and attached apparently to a copy of the Fortalitium Fidei; in which it was found. Luckily there was a duplicate of this little broadside—or advertisement—and I prevailed upon the curators, or rather upon M. Bernhard (whose exclusive property it was) to part with this Sibylline leaf, containing only nineteen lines, for a copy of the AEdes Althorpianae— as soon as that work should be published.[63] Of course, this is secured for the library in St. James’s Place.
I am now hastening to the close of this catalogue of the Munich book-treasures. You remember my having mentioned a sort of oblong cabinet, where they keep the books PRINTED UPON VELLUM—together with block books, and a few of the more ancient and highly illuminated MSS. I visited this cabinet the first thing on entering—and the last thing on leaving—the Public Library. “Where are your Vellum Alduses, good Mr. Bernhard?” said I to my willing and instructive guide. “You shall see only two of