A Psalter, of probably a century later, next claims our attention.  It is a small folio, executed in a large, bold, gothic character.  The illuminations are entirely confined to the capital initials, which represent some very grotesque, and yet picturesque grouping of animals and human figures—­all in a state of perfect preservation.  The gold back-grounds are not much raised, but of a beautiful lustre.  It is apparently imperfect at the end.  The binding merits distinct notice.  In the centre of one of the outside covers, is a figure of the Almighty, sitting; in that of the other, are the Virgin and Infant Christ, also sitting.  Each subject is an illumination of the time of those in the volume itself; and each is surrounded by pencil-coloured ornaments, divided into squares, by pieces of tin, or lead soldered.  A sheet of horn is placed over the whole of the exterior cover, to protect it from injury.  This binding is uncommon, but I should apprehend it to be not earlier than the very commencement of the xvth century.

I have not yet travelled out of the twelfth century; and mean to give you some account of rather a splendid and precious MS. entitled Vitae Sanctorum—­supposed to be of the same period.  It is said to have been executed under the auspices of the Emperor Conrad, who was chosen in 1169 and died in 1193.  It is an elegant folio volume.  The illuminations are in outline; in red, brown, or blue—­firmly and truly touched, with very fanciful inventions in the forms of the capital letters.  The initial letter prefixed to the account of the Assumption of the Virgin, is abundantly clever and whimsical; while that prefixed to the Life of St. Aurelius has even an imposing air of magnificence, and is the most important in the volume.

Here is a curious History of the Bible, in German verse, as I learn, by Rudolph, Count of Hohen Embs.  Whether “curious” or not, I cannot tell; but I can affirm that, since opening the famous MS. of the Roman d’Alexandre,[12] at Oxford, I have not met with a finer, or more genuine MS. than the present.  It is a noble folio volume; highly, although in many places coarsely, adorned.  The text is executed in a square, stiff, German letter, in double columns; and the work was written (as M. Le Bret informed me, and as warranted by the contents) “in obedience to the orders of the Emperor Conrad, son of the Emperor Frederick II:  the greater part of it being composed after the chronicle of Geoffrey de Viterbe.”  To specify the illuminations would be an endless task.  At the end of the MS. are the following colophonic verses: 

Uf den fridag was sts Brictius Do nam diz buch ende alsus Nach godis geburten dusint jar Dar su ccc dni vnx achtzig als eyn har.

the “ccc” are interlined, in red ink:  but the whole inscription implies that the book was finished in 1381, on Friday, the day of St. Brictius.  It follows therefore that it could not have been written during the life-time of Conrad IV. who was elected Emperor in 1250.  This interesting MS. is in a most desirable condition.