“Therefore
to whom turn I but to thee, the ineffable Name?
Builder
and maker, thou, of houses not made with hands!
What, have fear
of change from thee who art ever the same!
Doubt
that thy power can fill the heart that thy power expands?
There shall never
be one lost good! What was, shall live as before;
The
evil is null, is nought, is silence implying sound;
What was good,
shall be good, with, for evil, so much good more;
On
the earth the broken arcs; in the heaven, a perfect
round.
All we have willed
or hoped or dreamed of good, shall exist;
Not
its semblance, but itself; no beauty, nor good, nor
power
Whose voice has
gone forth, but each survives for the melodist
When
eternity affirms the conception of an hour.
The high that
proved too high, the heroic for earth too hard,
The
passion that left the ground to lose itself in the
sky,
Are music sent
up to God by the lover and the bard;
Enough
that he heard it once; we shall hear it by-and-by.
And what is our
failure here but a triumph’s evidence
For
the fulness of the days? Have we withered or agonized?
Why else was the
pause prolonged but that singing might issue thence?
Why
rushed the discord in, but that harmony should be prized?
Sorrow is hard
to bear, and doubt is slow to clear,
Each
sufferer says his say, his scheme of the weal and woe:
But God has a
few of us whom he whispers in the ear;
The
rest may reason and welcome: ’tis we musicians
know.”
In Rabbi ben Ezra Browning has crystallized his religious philosophy into a shape of abiding beauty. It has been called, not rashly, the noblest of modern religious poems. Alike in substance and in form it belongs to the highest order of meditative poetry; and it has, in Browning’s work, an almost unique quality of grave beauty, of severe restraint, of earnest and measured enthusiasm. What the Psalm of Life is to the people who do not think, Rabbi ben Ezra might and should be to those who do: a light through the darkness, a lantern of guidance and a beacon of hope, to the wanderers lost and weary in the selva selvaggia. It is one of those poems that mould character. I can give only one or two of its most characteristic verses.
“Not on
the vulgar mass
Called ‘work’
must sentence pass,
Things done, that
took the eye and had the price;
O’er which,
from level stand,
The low world
laid its hand,
Found straightway
to its mind, could value in a trice:
But all, the world’s
coarse thumb
And finger failed
to plumb,
So passed in making
up the main account;
All instincts
immature,
All purposes unsure,
That weighed not
as his work, yet swelled the man’s amount: