“So, die
my pictures! surely, gently die!
O
youth, men praise so,—holds their praise
its worth?
Blown harshly,
keeps the trump its golden cry?
Tastes
sweet the water with such specks of earth?”
The monotonous “linked sweetness long drawn out” of the verses, the admirably arranged pause, recurrence and relapse of the lines, render the sense and substance of the subject with singular appropriateness. The Tomb at St. Praxed’s (now known as The Bishop orders his Tomb at St. Praxed’s Church), has been finally praised by Ruskin, and the whole passage may be here quoted:—
“Robert Browning is unerring in every sentence he writes of the Middle Ages; always vital, right, and profound; so that in the matter of art, with which we have been specially concerned, there is hardly a principle connected with the mediaeval temper that he has not struck upon in those seemingly careless and too rugged lines of his.
“’As
here I lie
In this
state-chamber, dying by degrees,
Hours and
long hours in the dead night, I ask
“Do
I live, am I dead?” Peace, peace seems all.
Saint Praxed’s
ever was the church for peace;
And so,
about this tomb of mine. I fought
With tooth
and nail to save my niche, ye know:
—Old
Gandolf cozened me, despite my care;
Shrewd was
that snatch from out the corner South
He graced
his carrion with, God curse the same!
Yet still
my niche is not so cramped but thence
One sees
the pulpit o’ the epistle-side,
And somewhat
of the choir, those silent seats.
And up into
the aery dome where live
The angels,
and a sunbeam’s sure to lurk:
And I shall
fill my slab of basalt there,
And ’neath
my tabernacle take my rest,
With those
nine columns round me, two and two,
The odd
one at my feet where Anselm stands:
Peach-blossom
marble all, the rare, the ripe
As fresh-poured
red wine of a mighty pulse.
—Old
Gandolf with his paltry onion-stone,
Put me where
I may look at him! True peach,
Rosy and
flawless: how I earned the prize!
Draw close:
that conflagration of my church
—What
then? So much was saved if aught were missed!
My sons,
ye would not be my death? Go dig
The white-grape
vineyard where the oil-press stood,
Drop water
gently till the surface sink,
And if ye
find ... Ah God, I know not, I!...
Bedded in
store of rotten fig-leaves soft,
And corded
up in a tight olive-frail,
Some lump,
ah God, of lapis lazuli,
Big as a
Jew’s head cut off at the nape,
Blue as
a vein o’er the Madonna’s breast....
Sons, all
have I bequeathed you, villas, all,