MEN AND WOMEN:—1. “Transcendentalism.” 2. How it strikes a Contemporary. 3. Artemis Prologuizes. 4. An Epistle containing the strange Medical Experience of Karshish, the Arab Physician. 5. Pictor Ignotus. 6. Fra Lippo Lippi. 7. Andrea del Sarto. 8. The Bishop orders his Tomb in St. Praxed’s Church. 9. Bishop Blougram’s Apology. 10. Cleon. 11. Rudel to the Lady of Tripoli. 12. One Word More.
Vol. II. Contents—TRAGEDIES
AND OTHER PLAYS:—1. Pippa
Passes. 2. King Victor
and King Charles. 3. The Return of the
Druses. 4. A Blot in
the ’Scutcheon. 5. Colombe’s Birthday.
6.
Luria. 7. A Soul’s
Tragedy. 8. In a Balcony. 9. Strafford.
Vol. III. Contents:—1.
Paracelsus, 2. Christmas Eve and
Easter Day. 3. Sordello.
FOOTNOTES:
[Footnote 62: The Soliloquy of the Spanish Cloister is here included as No. III. In the edition of 1868 it follows under a separate heading. This is the only point of difference between the two editions.]
25. GOLD HAIR: A Legend of Pornic. By Robert Browning. (With imprint—London: Printed by W. Clowes and Sons, Stamford Street and Charing Cross) 1864, pp. 15.
26. Prospice.—Atlantic Monthly, Vol. XIII., June 1864, p. 694.
27. DRAMATIS PERSONAE. By Robert Browning. London: Chapman and Hall, 193 Piccadilly. 1864, pp. vi., 250.
Contents:—1. James Lee [James Lee’s Wife, 1868]. 2. Gold Hair: a Legend of Pornic. 3. The Worst of it. 4. Dis aliter visum; or, Le Byron de nos jours. 5. Too Late. 6. Abt Vogler. 7. Rabbi ben Ezra. 8. A Death in the Desert. 9. Caliban upon Setebos; or, Natural Theology in the Island. 10. Confessions. 11. May and Death. 12. Prospice. 13. Youth and Art. 14. A Face. 15. A Likeness. 16. Mr Sludge “The Medium.” 17. Apparent Failure. 18. Epilogue.
28. Orpheus and Eurydice.—Catalogue of the Royal Academy, 1864, p. 13. No. 217. A picture by F. Leighton.
Printed as prose. It is reprinted in Poetical Works, 1868, where it is included in Dramatis Personae. The same volume contains a new stanza of eight lines, entitled “Deaf and Dumb: a Group by Woolner.” This was written in 1862 for Woolner’s partly-draped group of Constance and Arthur, the deaf and dumb children of Sir Thomas Fairbairn, which was exhibited in the International Exhibition of 1862.