in not being alarmed. When we came back to Rome,
however, I saw that the tide had turned and that we
were close upon the rocks. It is, in fact, another
case of Ulysses alongside of the Sirens; only Roderick
refuses to be tied to the mast. He is the most
extraordinary being, the strangest mixture of qualities.
I don’t understand so much force going with so
much weakness—such a brilliant gift being
subject to such lapses. The poor fellow is incomplete,
and it is really not his own fault; Nature has given
him the faculty out of hand and bidden him be hanged
with it. I never knew a man harder to advise
or assist, if he is not in the mood for listening.
I suppose there is some key or other to his character,
but I try in vain to find it; and yet I can’t
believe that Providence is so cruel as to have turned
the lock and thrown the key away. He perplexes
me, as I say, to death, and though he tires out my
patience, he still fascinates me. Sometimes I
think he has n’t a grain of conscience, and
sometimes I think that, in a way, he has an excess.
He takes things at once too easily and too hard; he
is both too lax and too tense, too reckless and too
ambitious, too cold and too passionate. He has
developed faster even than you prophesied, and for
good and evil alike he takes up a formidable space.
There ’s too much of him for me, at any rate.
Yes, he is hard; there is no mistake about that.
He ’s inflexible, he ’s brittle; and though
he has plenty of spirit, plenty of soul, he has n’t
what I call a heart. He has something that Miss
Garland took for one, and I ’m pretty sure she
’s a judge. But she judged on scanty evidence.
He has something that Christina Light, here, makes
believe at times that she takes for one, but she is
no judge at all! I think it is established that,
in the long run, egotism makes a failure in conduct:
is it also true that it makes a failure in the arts?...
Roderick’s standard is immensely high; I must
do him that justice. He will do nothing beneath
it, and while he is waiting for inspiration, his imagination,
his nerves, his senses must have something to amuse
them. This is a highly philosophical way of saying
that he has taken to dissipation, and that he has
just been spending a month at Naples—a
city where ‘pleasure’ is actively cultivated—in
very bad company. Are they all like that, all
the men of genius? There are a great many artists
here who hammer away at their trade with exemplary
industry; in fact I am surprised at their success
in reducing the matter to a steady, daily grind:
but I really don’t think that one of them has
his exquisite quality of talent. It is in the
matter of quantity that he has broken down. The
bottle won’t pour; he turns it upside down; it
’s no use! Sometimes he declares it ’s
empty—that he has done all he was made to
do. This I consider great nonsense; but I would
nevertheless take him on his own terms if it was only
I that was concerned. But I keep thinking of
those two praying, trusting neighbors of yours, and