English Embroidered Bookbindings eBook

This eBook from the Gutenberg Project consists of approximately 110 pages of information about English Embroidered Bookbindings.

English Embroidered Bookbindings eBook

This eBook from the Gutenberg Project consists of approximately 110 pages of information about English Embroidered Bookbindings.

On the upper side is a very charming design of the Annunciation, and, on the under, another of the Crucifixion, each measuring 7-3/4 by 5-3/4 inches.  In both cases the ground is worked with fine gold threads ‘couched’ in a zigzag pattern, the rest of the work being very finely executed in split-stitch by the use of which apparently continuous lines can be made, each successive stitch beginning a little within that immediately preceding it—­the effect in some places being that of a very fine chain-stitch.  The lines of this work do not in any way follow the meshes of the linen or canvas, as is mostly the case with book-work upon such material, but they curve freely according to the lines and folds of the design.  It will be recognised I think by art workwomen skilled in this kind of small embroidery, that the methods used for ornamenting the canvas binding of this book are the most artistic of any of the various means employed for a similar purpose, and I know of no other instance which for appropriateness of workmanship, or charm of design, can compare with this, the earliest of all.

The figure of the Virgin Mary, on the upper side, is dressed in a pale red robe, with an upper garment or cloak of blue with a gold border.  On her head is a white head-dress, and round it a yellow halo; just above is a white dove flying downwards, its head having a small red nimbus or cloud round it.  The Virgin holds a red book in her hand.  The figure of the angel is winged, and wears an under robe of blue with an upper garment of yellow; round his head he has a green and yellow nimbus, his wings are crimson and white.

Between these two figures is a large yellow vase, banded with blue and red; out of it grows a tall lily, with a crown of three red blossoms.

The drawing of both of the figures is good, the attitudes and the management of the folds of the drapery being excellently rendered, and the execution of the technical part is in no way inferior to the design.

On the lower side, on a groundwork of gold similar to that on the upper cover, is a design of the Crucifixion.  Our Saviour wears a red garment round the loins, and round his head is a red and yellow nimbus, his feet being crossed in a manner often seen in illuminations in ancient manuscripts.

The cross is yellow with a green edge, the foot widening out into a triple arch, within which is a small angel kneeling in the attitude of prayer.  On the right of the cross is a figure of the Virgin Mary, in robes of pale blue and yellow, with a white head-dress and green and yellow nimbus.  On the left is another figure, probably representing St. John, dressed in robes of red and blue, and having a nimbus round his head of concentric rings of red and yellow.  This figure is unfortunately in very bad condition.  The edges of the leaves of the book are painted with heraldic bearings in diamond-shaped spaces, that of the Felbrigge family ‘Gules, a lion rampant,

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English Embroidered Bookbindings from Project Gutenberg. Public domain.