My Life as an Author eBook

This eBook from the Gutenberg Project consists of approximately 459 pages of information about My Life as an Author.

My Life as an Author eBook

This eBook from the Gutenberg Project consists of approximately 459 pages of information about My Life as an Author.

In this zoological connection (for bees are zoa) let me record that there is a legend of a fox having been killed in our drawing-room (on the ground-floor with French windows) during some tenancy in my absence,—­only fancy the havoc of such a strife! but all had been cleared up before our return.  Also, it is memorable (and I saw it myself) that a hard-pressed stag from Sir Gilbert Heathcote’s hunt took refuge in our harness-room,—­to the extreme horror of a gardener’s boy, who thought it was a mad donkey,—­and no wonder, for as those brave barbarian sportsmen get the antlers sawn off for fear of wounds to themselves or their nobler dogs, the poor scared creature with its uncrowned head and loppity ears is very donkey-like.

Let me give another like homely anecdote of past days.

We are all now so wrapt in security as country dwellers, guarded by the rural police everywhere, that the following ludicrous incident may seem hardly worth a word; but in the good old days, when poor Jack was such a highway brigand that my nurses feared to take the children off the premises, and when burglars were not infrequent callers at remote residences, what happened long ago, on a certain dark winter’s night, at Albury, may amuse.  Long after all had gone to bed, we heard with trepidation stealthy steps crunching the snow round the house, and something that now and then touched the ground-floor doors and windows, as if quietly trying to get in:  at last it fumbled at the ancient hanging handle of the outside kitchen-door!  Now was the time for Paterfamilias to show his pluck, in the universal scare; so, armed cap-a-pied, with candles held in the rear by the terrified household, he valorously drew the bolts and flung open the heavy oaken door,—­to greet—­his children’s donkey, escaped somehow from its stable, and trying to get indoors that cold night for warmth.  Laugh as we might, and as you may, the test of courage was all the same; and if this donkey story is pounced upon by some critic or comic as a weak link in my chain of autobiography, I only hope he will behave as bravely if a real ruffian tries his doors and windows by night; by no means an improbable hypothesis in these days of communistic radicalism.

The old house itself may deserve a word.  It came to me as a—­shall I say?—­matrimony, from my mother; if patrimony means from a father, why not matrimony from a mother? her great-uncle, Anthony Devis, having bought it in 1780.  He was a remarkable man in his way and before his age; a good landscape painter (as Pilkington avouches), a collector of pictures and curiosities,—­mostly sold by executors at his death, aged eighty-nine, though a full gallery remains at Albury; a carver too, and a constructor of cabinets,—­whereof two fine specimens (inlaid with brecciated jaspers, and made of ebony and cedar from his own turning-lathe) decorate our large drawing-room; and the oldest folk in our village still remember the good old gentleman who always had

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My Life as an Author from Project Gutenberg. Public domain.