the happiness of the emancipated orator, and I have experienced them both; whilst it may be seen in what I have written about silence and seclusion how cordially and perhaps foolishly, as “wearing my heart on my sleeve,” I have shown that I greatly love to be alone, especially in what I am known to call “holy silence;” in fact, as ill-nature may like to put it, I prefer my own quiet company to that disturbed by the talk of other people.  So much, then, as to one cause for the scantiness in this self-memoir of expected spicy anecdotes and perilous revelations.  Not but that I could make considerable mischief, and perhaps help my publisher in sales, if I chose to make the most of the many celebrities, both American and English, with whom I have had intercourse both at Albury and elsewhere.  My humble hospitalities and the constant welcome I have given to strangers, have been like their author, proverbial; but that is no reason why our converse, free and frank as private fellowship commands, should be produced in print; naturally the host was ever generous, and the guest—­equally, of course—­appreciative.

Perhaps though, not quite always:  and I am tempted here to say just one unpleasant word about the only one of my many American guests, hospitably, nay almost affectionately treated, who wrote home to his wife too disparagingly of his entertainer, his son having afterwards had the bad taste to publish those letters in his father’s Life.  One comfort, however, is that in “The Memoirs of Nathaniel Hawthorne,” that not very amiable genius praises no one of his English hosts (except, indeed, a perhaps too open-handed London one), and that he was not known (any more than Fenimore Cooper, whom years ago I found a rude customer in New York) for a superabundance of good nature.  When at Albury, Hawthorne seemed to us superlatively envious:  of our old house for having more than seven gables; of its owner for a seemingly affluent independence, as well as authorial fame; even of his friends when driven by him to visit beautiful and hospitable Wotton; and in every word and gesture openly entering his republican and ascetic protest against the aristocratic old country; even to protesting, when we drove by a new weather-boarded cottage, “Ha, that’s the sort of house I prefer to see; it’s like one of ours at home.”  That we did not take to each other is no wonder.  This, then, is my answer to the unkindly remarks against me in print of one who has shown manifestly a flash of genius in “The Scarlet Letter;” but, so far as I know, it was well-nigh a solitary one.

One further curious illustration of an uncongenial guest is this:  Alexander Smith wrote a “Life Drama,” full of sparkling poetic gems, which at once made him popular, apparently with justice enough.  I asked him down to Albury, made much of him, praised warmly sundry morceaux of his (which I had marked in my copy), and to my astonishment received the brusque reply, “O, you like those, do you?