The Garden, You, and I eBook

This eBook from the Gutenberg Project consists of approximately 301 pages of information about The Garden, You, and I.

The Garden, You, and I eBook

This eBook from the Gutenberg Project consists of approximately 301 pages of information about The Garden, You, and I.

Also, the house is kept too much shut up; it looks inhospitable, seen through the trees, with branches always tossing wide to the breeze and sun.  Even if a room is unoccupied by people, it is no reason why the sun should be barred out, and at best we ourselves surely spend too much time in our houses in the season when every tree is a roof.  We have decided not to move indoors again this summer, but to lodge here in the time between vacations and to annex the Infant.

Oh, Mrs. Evan, dear! there is one thing in which The Man from Everywhere reckoned without his host!  Stopping the clocks when we went in camp did not dislodge Time from the premises; rather did it open the door to his entrance hours earlier than usual, when one of the chiefest luxuries we promised ourselves was late sleeping.

Stretched on our wire-springed, downy cots (there is positively no virtue in sleeping on hard beds, and Bart considers it an absolute vice), there is a delicious period before sleep comes.  Bats flit about the rafters, and an occasional swallow twitters and shifts among the beams as the particular nest it guarded grew high and difficult to mount from the growth of the lusty brood within.  The scuffle of little feet over the rough floor brings indolent, half-indifferent guessing as to which of the lesser four-foots they belonged.  The whippoorwills down in the river woods call until they drop off, one by one, and the timid ditty of a singing mouse that lives under the floor by my cot is the last message the sandman sends to close our eyes before sleep.  And such sleep!  That first steel-blue starlit night in the open we said that we meant to sleep and sleep it out, even if we lost a whole day by it.  It seemed but a moment after sleep had claimed us, when, struggling through the heavy darkness, came far-away light strands groping for our eyes, and soft, half-uttered music questioning the ear.  Returning I opened my eyes, and there was the sun struggling slowly through the screen of white birches in Opie’s wood lot, and scattering the night mists that bound down the Opal Farm with heavy strands; the air was tense with flitting wings, bird music rose, fell, and drifted with the mist, and it was only half-past four!  You cannot kill time, you see, by stopping clocks—­with nature day Is, beyond all dispute.  In two days, by obeying instead of opposing natural sun time, we had swung half round the clock, only now and then imitating the habits of our four-footed brothers that steal abroad in the security of twilight.

[Illustration:  THE SCREEN OF WHITE BIRCHES.  Copyright, 1901, H. Hendrickson.]

June 24. Amos Opie, the carpenter, owner of Opal Farm, is now keeping widower’s hall in the summer kitchen thereof.  A thin thread of smoke comes idly from the chimney of the lean-to in the early morning, and at evening the old man sits in the well-house porch reading his paper so long as the light lasts, a hound of the ancient blue-spotted variety, with heavy black and tan markings, keeping him company.

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The Garden, You, and I from Project Gutenberg. Public domain.