of her attitudes.  She could not be called beautiful, inasmuch as her features lacked regularity; but the extreme mobility of her countenance, upon which could be read all the emotions of her soul, had an irresistible seduction.  Her large eyes, of velvety blue, had untold depths and an incredible intensity of expression; the imperceptible quiver of her rosy nostrils revealed an untamable pride; and the smile that played upon her lips told her immense contempt for every thing mean and small.  But her real beauty was her hair,—­of a blonde so luminous that it seemed powdered with diamond-dust; so thick and so long, that to be able to twist and confine it, she had to cut off heavy locks of it to the very root.

Alone, in the house, she did not tremble at her father’s voice.  The studied despotism which had subdued Mme. Favoral had revolted her, and her energy had become tempered under the same system of oppression which had unnerved Maxence.

Whilst her mother and her brother lied with that quiet impudence of the slave, whose sole weapon is duplicity, Gilberte preserved a sullen silence.  And if complicity was imposed upon her by circumstances, if she had to maintain a falsehood, each word cost her such a painful effort, that her features became visibly altered.

Never, when her own interests were alone at stake, had she stooped to an untruth.  Fearlessly, and whatever might be the result,

“That is the fact,” she would say.

Accordingly, M. Favoral could not help respecting her to a degree; and, when he was in fine humor, he called her the Empress Gilberte.  For her alone he had some deference and some attentions.  He moderated, when she looked at him, the brutality of his language.  He brought her a few flowers every Saturday.

He had even allowed her a professor of music; though he was wont to declare that a woman needs but two accomplishments,—­to cook and to sew.  But she had insisted so much, that he had at last discovered for her, in an attic of the Rue du Pas-de-la-Mule, an old Italian master, the Signor Gismondo Pulei, a sort of unknown genius, for whom thirty francs a month were a fortune, and who conceived a sort of religious fanaticism for his pupil.

Though he had always refused to write a note, he consented, for her sake, to fix the melodies that buzzed in his cracked brain; and some of them proved to be admirable.  He dreamed to compose for her an opera that would transmit to the most remote generations the name of Gismondo Pulei.

“The Signora Gilberte is the very goddess of music,” he said to M. Favoral, with transports of enthusiasm, which intensified still his frightful accent.

The cashier of the Mutual Credit Society shrugged his shoulders, answering that there is no harmony for a man who spends his days listening to the exciting music of golden coins.  In spite of which his vanity seemed highly gratified, when on Saturday evenings, after dinner, Mlle. Gilberte sat at the piano, and Mme. Desclavettes, suppressing a yawn, would exclaim,