“Here is a gentleman,” said the valet, “who insists upon seeing madame.  You fix it with him.”

Better than her fellow servant, Mlle. Amanda could judge with whom she had to deal.  A single glance at this obstinate visitor convinced her that he was not one who can be easily turned off.

Putting on, therefore, her pleasantest smile, thus displaying at the same time her decayed teeth,

“The fact is that monsieur will very much disturb madame,” she observed.

“I shall excuse myself.”

“But I’ll be scolded.”

Instead of answering, M. de Tregars took a couple of twenty-franc-notes out of his pocket, and slipped them into her hand.

“Please follow me to the parlor, then,” she said with a heavy sigh.

M. de Tregars did so, whilst observing everything around him with the attentive perspicacity of a deputy sheriff preparing to make out an inventory.

Being double, the house was much more spacious than could have been thought from the street, and arranged with that science of comfort which is the genius of modern architects.

The most lavish luxury was displayed on all sides; not that solid, quiet, and harmonious luxury which is the result of long years of opulence, but the coarse, loud, and superficial luxury of the parvenu, who is eager to enjoy quick, and to possess all that he has craved from others.

The vestibule was a folly, with its exotic plants climbing along crystal trellises, and its Sevres and China jardinieres filled with gigantic azaleas.  And along the gilt railing of the stairs marble and bronze statuary was intermingled with masses of growing flowers.

“It must take twenty thousand francs a year to keep up this conservatory alone,” thought M. de Tregars.

Meantime the old chambermaid opened a satinwood door with silver lock.

“That’s the parlor,” she said.  “Take a seat whilst I go and tell madame.”

In this parlor everything had been combined to dazzle.  Furniture, carpets, hangings, every thing, was rich, too rich, furiously, incontestably, obviously rich.  The chandelier was a masterpiece, the clock an original and unique piece of work.  The pictures hanging upon the wall were all signed with the most famous names.

“To judge of the rest by what I have seen,” thought M. de Tregars, “there must have been at least four or five hundred thousand francs spent on this house.”

And, although he was shocked by a quantity of details which betrayed the most absolute lack of taste, he could hardly persuade himself that the cashier of the Mutual Credit could be the master of this sumptuous dwelling; and he was asking himself whether he had not followed the wrong scent, when a circumstance came to put an end to all his doubts.

Upon the mantlepiece, in a small velvet frame, was Vincent Favoral’s portrait.

M. de Tregars had been seated for a few minutes, and was collecting his somewhat scattered thoughts, when a slight grating sound, and a rustling noise, made him turn around.