Ronconi, 242
Rondeau and Rondo, 135
Rossini, 147, 228, 242;
his overtures, 147;
“Il Barbiere,” 228;
“William Tell,” 93, 100
Rubinstein, 59, 152, 167, 168, 287;
his historical recitals, 167;
his sacred operas, 287;
“Ocean” symphony, 59;
“Feramors,” 152
Ruskin, John, 302
Russian composers, 134
Sacred Operas, 287
Saint-Saens, “Danse Macabre,” 101, 111;
symphony in C minor, 141;
“Samson and Delilah,” 288
Salvi, 242
Sarabande, 173, 174, 177
Sassarelli, 240
Scarlatti, D., 167, 172, 182;
his technique, 172;
“Capriccio” and “Pastorale,”
172
Scheffer, Ary, 246
Scherzo, 133, 179
Schroeder-Devrient, 232
Schubert, 168
Schumann, 49, 64, 132, 133, 139, 140, 141, 167, 188,
189, 190, 196,
254, 308, 310;
his Romanticism, 188;
and Jean Paul, 189;
his pedal effects, 196;
on popular judgment, 308, 310;
symphony in C, 132;
symphony in D minor, 139;
symphony in B-flat, 140;
“Rhenish” symphony, 140, 141;
“Carnaval,” 189, 190;
“Papillons,” 189, 190;
“Kreisleriana,” 190;
“Phantasiestuecke,” 190
Score, 120
“Scotch snap,” 52, 200
Second movement in symphony, 133
Seidl, Anton, 77
Sembrich, Marcella, 242, 245
Senesino, 239, 240
Sense-perception, 18
Serenade, 149 et seq.
Shaftesbury, Lord, 311
Shakespeare, his dances, 153, 179;
his dramas, 202;
a Romanticist, 221;
“Two Gentlemen of Verona,”
150;
Queen Mab, 90
Singing, physiology of, 215, 218;
operatic, 239;
choral, 268
Singing Societies, 253 et seq.
Singspiel, 223
Smith, F. Hopkinson, 11
Sonata da Camera, 173
Sonata, 127, 182, 183
Sonata form, 127 et seq.
Sontag, 241, 244, 245, 246
Sordino, 90
Space, music has no place in, 59
Speech and music, 43
Spencer, Herbert, 39, 43, 216, 218, 230
Spinet, 168, 170
Spohr, “Jessonda,” 225
Stainer, Dr., 39, 316
Stein, pianoforte maker, 196
Stilo rappresentativo, 234
Stories, in music, 40
Strings, orchestral, 74, 82, 86 et seq., 102
Sucher, Rosa, 247
Suite, 129, 152, 173 et seq.
Symphonic poem, 142
Symphonic prologue, 148
Symphony, 124 et seq., 183
Syrinx, 98
Talent in listening, 4
Tambourine, 110
Tappert, “Zooplastik in Toenen,” 51