Hogarth, Geo., “Memoirs of the Opera,” 210, 245

Horn, 82, 105, 106 et seq., 151

Hungarian music, 198 et seq.

Hymn-tunes, history of, 275

Iambics, 175

“Idee fixe,” Berlioz’s, 137

Identification of themes, 35

Idiomatic pianoforte music, 193, 194

Idioms, musical, 44, 51, 55

Imagination, 15, 16, 58

Imitation of natural sounds, 51

Individual attitude of man toward music, 37

Instrumental musicians, former legal status of, 83

Instrumentation, 71 et seq.;
  in the mass, 293 et seq.

Intelligent hearing, 16, 18, 37

Intermediary necessary, 20

Intermezzi, 221

Interrelation of musical elements, 22

Janizary music, 97

Jean Paul, 67, 189, 190

Jeduthun, 115

Jig, 179

Judgment, 311

Kalidasa, 149

Kettle-drums, 111 et seq.

Key relationship, 26, 129

Kinds of music, 36 et seq.

Kirchencantaten, 284

Krakowiak, 193

Kullak, 184

Lablache, 248

La Grange, 241, 245

Lamb, Charles, 10

Language of tones, 42, 43

Lassu, 201

Laws, musical, mutability of, 69

Lehmann, Lilli, 233, 244, 247

Lenz, 33

Leoncavallo, 228

Lind, Jenny, 241, 243

Liszt, 132, 140, 142, 143, 167, 168, 193, 197, 198, 228;
  his music, 168, 193, 197;
  his transcriptions, 167;
  his rhapsodies, 167, 198;
  his symphonic poems, 142;
  “Faust” symphony, 132, 140;
  Concerto in E-flat, 143;
  “St. Elizabeth,” 288

Literary blunders concerning music, 9, 10, 11, 12

Local color, 152, 153

London opera, 206, 207, 226

Louis XIV., 179

Lucca, Pauline, 242, 246, 247

Lully, his overtures, 148;
  minuet, 179;
  “Atys,” 206

Luther, Martin, 276

Lyric drama, 231, 234, 237, 251

Madrigal, 274

Magyar music, 198 et seq.

Major mode, 57

Male alto, 260

Male chorus, 255, 260

Malibran, 241

Maennergesang, 255, 260

Marie Antoinette, 153

Mario, 242, 247, 271

Marschner, “Hans Heiling,” 225;
  “Templer und Juedin,” 225;
  “Vampyr,” 225;
  his operas, 248

Mascagni, 228

Mass, the, 290 et seq.

Massenet, “Le Cid,” 152

Materials of music, 16