Fancy, 15, 16, 58
Farinelli, 240
Fasch, C.F., 262
Feelings, their relation to music, 38 et seq., 215, 216
Ferri, 239, 240
Finale, symphonic, 135
First movement in symphony, 131
Flageolet tones, 89
Florentine inventors of the opera, 217, 227, 234, 249
Flute, 73, 74, 78, 82, 95 et seq.
Form, 16, 17, 22, 35
Formes, 242, 248
Frederick the Great, 263
Free Fantasia, 131
French horn, 47, 106 et seq.
Frezzolini, 242
Friss, 201
Frogs, musical delineation of, 58, 62
“Gallina et Gallo,” 53
Gavotte, 173, 179
German opera, 226
Gerster, Etelka, 242, 245
Gesture, 43
Gigue, 173, 174, 178
Gilbert, W.S., 208, 224
Gilbert and Sullivan’s operettas, 224
Glockenspiel, 110
Gluck, 84, 148, 153, 202, 203, 238;
his dancers, 153;
his orchestra, 238;
“Alceste,” 148;
“Iphigenie en Aulide,” 153;
“Orfeo,” 202, 203
Goethe, 34, 140, 223
Goldmark, “Sakuntala” overture, 149
Gong, 110
Gossec, Requiem, 293
Gounod, “Faust,” 209, 224, 238, 246
Grand Opera, 223, 224
Greek Tragedy, 211 et seq.
Grisi, 241, 242
Grosse Oper, 224
Grove, Sir George, 33, 63, 141, 187
Gypsy music, 198 et seq.
Halle, Lady, 320
Hamburg, opera in, 206, 207
Handel, 58, 60, 62, 83, 102, 126, 148, 174, 177, 178,
181, 182, 184,
256, 257, 258, 259, 265, 272;
his orchestra, 84;
his suites, 174;
his overtures, 148;
his technique as a player, 181, 182, 184;
his choirs, 257;
Commemoration, 258;
his tutti, 258;
“Messiah,” 60, 126, 256, 257,
265, 272;
“Saul,” 102;
“Almira,” 177;
“Rinaldo,” 178;
“Israel in Egypt,” 58, 62,
257, 259, 289;
“Lascia ch’io pianga,”
178
Hanslick, Dr. Eduard, 203
Harmonics, on violin, 89
Harmony, 19, 21, 22, 218
Harp, 82
Harpsichord, 168, 170
Hauptmann, M., 41
Hautboy, 99
Haweis, the Rev. Mr., 318 et seq.
Haydn, 46, 84, 100, 127, 168, 183, 295;
his manner of composing, 183;
dramatic effects in his masses, 295;
“Seasons,” 100
Hebrew music, 114;
poetry, 25
Height, musical delineation of, 59, 60
Heman, 115
Hen, song of, in music, 52, 53, 54
Herbarth, philosopher, 39
Hiller, Ferdinand, 307, 310
Hiller, Johann Adam, 258