[Illustration:  PLATE III

PICCOLO FLUTE—­(C.  KURTH, JUN.)]

[Illustration:  PLATE IV

OBOE—­(JOSEPH ELLER)]

[Illustration:  PLATE V

ENGLISH HORN—­(JOSEPH ELLER)]

[Illustration:  PLATE VI

BASSOON—­(FEDOR BERNHARDI)]

[Illustration:  PLATE VII

CLARINET—­(HENRY KAISER)]

[Illustration:  PLATE VIII

BASS CLARINET—­(HENRY KAISER)]

[Illustration:  PLATE IX

FRENCH HORN—­(CARL PIEPER)]

[Illustration:  PLATE X

TROMBONE—­(J.  PFEIFFENSCHNEIDER)]

[Illustration:  PLATE XI

BASS TUBA—­(ANTON REITER)]

[Illustration:  PLATE XII

THE CONDUCTOR’S SCORE]

INDEX

Absolute music, 36

Academy of Music, New York, 203

Adagio, in symphony, 133

Addison, 205, 206, 208

Allegro, in symphony, 132

Allemande, 173, 174

Alto clarinet, 104

Alto, male, 260

Amadeo, 241

Ambros, August Wilhelm, 49

Antiphony, 267

Archilochus, 213

Aria, 235

Arioso, 235

Asaph, 115

Bach, C.P.E., 180, 185

Bach, Johann Sebastian, 69, 83, 148, 167, 169, 170, 171, 174, 176,
  180, 181, 184, 192, 257, 259, 267, 268, 278, 281, 282, 283, 286,
  287, 289;
  his music, 281 et seq.;
  his technique as player, 180, 181, 184;
  his choirs, 257, 259;
  compared with Palestrina, 278;
  “Magnificat,” 283;
  Mass in B minor, 283;
  Chromatic Fantasia and Fugue, 171;
  Suites, 174, 176;
  “St. Matthew Passion,” 267, 278, 282, 286, 289;
  Motet, “Sing ye to the Lord,” 268;
  “St. John Passion,” 286

Balancement, 170

Balfe, 223

Ballade, 192

Ballet music, 152

Balletto, 173

Bass clarinet, 104

Bass trumpet, 81, 82

Basset horn, 82

Bassoon, 74, 82, 99, 101 et seq.

Bastardella, La, 239

Bayreuth Festival orchestra, 81, 82

Bebung, 169, 170

Beethoven, 27, 28, 29, 30, 31, 32, 33, 34, 35, 44, 46, 47, 49, 53, 60,
  62, 63, 70, 92, 94, 101, 102, 103, 106, 113, 120, 125, 131, 132,
  133, 136, 137, 138, 140, 141, 146, 147, 151, 167, 182, 184, 186,
  187, 193, 195, 196, 203, 208, 232, 292, 321, 322;
  likenesses in his melodies, 33, 34;
  unity in his works, 27, 28, 29;
  his chamber music, 47;
  his sonatas, 182;
  his democracy, 46;
  not always idiomatic, 193;
  his pianoforte, 195;
  his pedal effects, 196;
  missal compositions, 292, 294;
  his overtures, 147;
  his free fantasias, 131;
  his technique as a player, 186;