by gold medals, in recognition of Gottschalk’s munificence in the benefit concerts he gave for various public and humane institutions.  The American pianist, through the whole of his career, had shown the traditional benevolence of his class in offering his services to the advancement of worthy objects.  A similar reception awaited Gottschalk in Montevideo, where the artist became doubly the object of admiration by the substantial additions he made to the popular educational fund.  While in this city he organized and conducted a great musical festival in which three hundred musicians engaged, exclusive of the Italian Opera company then at Montevideo.

The spring of 1869 brought Gottschalk to the last scene of his musical triumphs, for the span of his career was about to close over him.  Rio Janeiro, the capital of Brazil, gave Gottschalk an ardent reception, which made this city properly the culmination of his toils and triumphs.  Gottschalk wrote that his performances created such a furore that boxes commanded a premium of seventy-five dollars, and single seats fetched twenty-five.  He was frequently entertained by Dom Pedro at the palace; in every way the Brazilians testified their lavish admiration of his artistic talents.  In the midst of his success Gottschalk was seized with yellow fever, and brought very low.  Indeed, the report came back to New York that he was dead, a report, however, which his own letters, written from the bed of convalescence, soon contradicted.

In October of 1869 Gottschalk was appointed by the emperor to take the leadership of a great festival, in which eight hundred performers in orchestra and chorus would take part.  Indefatigable labor, in rehearsing his musicians and organizing the almost innumerable details of such an affair, acted on a frame which had not yet recovered its strength from a severe attack of illness.  With difficulty he dragged himself through the tedious preparation, and when he stood up to conduct the first concert of the festival, on the evening of November 26, he was so weak that he could scarcely stand.  The next day he was too ill to rise, and, though he forced himself to go to the opera-house in the evening, he was so weak as to be unable to conduct the music, and he had to be driven back to his hotel.  The best medical skill watched over him, but his hour had come, and after three weeks of severe suffering he died, December 18, 1869.  The funeral solemnities at the Cathedral of Rio were of the most imposing character, and all the indications of really heart-felt sorrow were shown among the vast crowd of spectators, for Gottschalk had quickly endeared himself to the public both as man and artist.  At the time of Gott-schalk’s death, it was his purpose to set sail for Europe at the earliest practicable moment, to secure the publication of some of his more important works, and the production of his operas, of which he had the finished scores of not less than six.