[Illustration:  Fig. 139.]

The Egyptian character for the same is Fig. 139 (Champollion, Dict., p. 429).  The broken line is held to represent the movement of the water on the surface of the stream.  When made with one line less angular and more waving it means water.  It is interesting to compare with this the identical character in the syllabary invented by a West African negro, Mormoru Doalu Bukere, for water, [Symbol:  water, represented by a wavy line], mentioned by TYLOR in his Early History of Mankind, p. 103.

The abbreviated Egyptian sign for water as a stream is Fig. 140 (Champollion, loc. cit.), and the Chinese for the same is as in Fig. 141.

[Illustration:  Fig. 140.]

[Illustration:  Fig. 141.]

In the picture-writing of the Ojibwa the Egyptian abbreviated character, with two lines instead of three, appears with the same signification.

The Egyptian character for weep, Fig. 142, an eye, with tears falling, is also found in the pictographs of the Ojibwa (Schoolcraft, I, pl. 54, Fig. 27), and is also made by the Indian gesture of drawing lines by the index repeatedly downward from the eye, though perhaps more frequently made by the full sign for rain, described on page 344, made with the back of the hand downward from the eye—­“eye rain.”

[Illustration:  Fig. 142.]

The Egyptian character for to be strong is Fig. 143 (Champollion, Dict., p. 91), which is sufficiently obvious, but may be compared with the sign for strong, made by some tribes as follows:  Hold the clinched fist in front of the right side, a little higher than the elbow, then throw it forcibly about six inches toward the ground.

[Illustration:  Fig. 143.]

A typical gesture for night is as follows:  Place the flat hands, horizontally, about two feet apart, move them quickly in an upward curve toward one another until the right lies across the left.  “Darkness covers all.”  See Fig. 312, page 489.

The conception of covering executed by delineating the object covered beneath the middle point of an arch or curve, appears also clearly in the Egyptian characters for night, Fig. 144 (Champollion, Dict., p. 3).

[Illustration:  Fig. 144.]

The upper part of the character is taken separately to form that for sky (see page 372, infra).

[Illustration:  Fig. 145.]

The Egyptian figurative and linear characters, Figs. 145 and 146 (Champollion, Dict., p. 28), for calling upon and invocation, also used as an interjection, scarcely require the quotation of an Indian sign, being common all over the world.

[Illustration:  Fig. 146.]

The gesture sign made by several tribes for many is as follows:  Both hands, with spread and slightly curved fingers, are held pendent about two feet apart before the thighs; then bring them toward one another, horizontally, drawing them upward as they come together. (Absaroka I; Shoshoni and Banak I; Kaiowa I; Comanche III; Apache II; Wichita II.) “An accumulation of objects.”  This may be the same motion indicated by the Egyptian character, Fig. 147, meaning to gather together (Champollion, Dict., p. 459).