DISTINCTION BETWEEN IDENTITY OF SIGNS AND THEIR USE AS AN ART.
The general report that there is but one sign language in North America, any deviation from which is either blunder, corruption, or a dialect in the nature of provincialism, may be examined in reference to some of the misconceived facts which gave it origin and credence. It may not appear to be necessary that such examination should be directed to any mode of collecting and comparing signs which would amount to their distortion. It is useful, however, to explain that distortion would result from following the views of a recent essayist, who takes the ground that the description of signs should be made according to a “mean” or average. There can be no philosophic consideration of signs according to a “mean” of observations. The proper object is to ascertain the radical or essential part as distinct from any individual flourish or mannerism on the one hand, and from a conventional or accidental abbreviation on the other; but a mere average will not accomplish that object. If the hand, being in any position whatever, is, according to five observations, moved horizontally one foot to the right, and, according to five other observations, moved one foot horizontally to the left, the “mean” or resultant will be that it is stationary, which sign does not correspond with any of the ten observations. So if six observations give it a rapid motion of one foot to the right and five a rapid motion of the same distance to the left, the mean or resultant would be somewhat difficult to express, but perhaps would be a slow movement to the right for an inch or two, having certainly no resemblance either in essentials or accidents to any of the signs actually observed. In like manner the tail of the written letter “y” (which, regarding its mere formation, might be a graphic sign) may have in the chirography of several persons various degrees of slope, may be a straight line, or looped, and may be curved on either side; but a “mean” taken from the several manuscripts would leave the unfortunate letter without any tail whatever, or travestied as a “u” with an amorphous flourish. A definition of the radical form of the letter or sign by which it can be distinguished from any other letter or sign is a very different proceeding. Therefore, if a “mean” or resultant of any number of radically different signs to express