[Illustration:  Fig. 184.]

The gesture sign for rain is described and illustrated on page 344.  The pictograph, Fig. 184, reported as found in New Mexico by Lieutenant Simpson (Ex.  Doc.  No. 64, Thirty-first Congress, first session, 1850, pl. 9) is said to represent Montezuma’s adjutants sounding a blast to him for rain.  The small character inside the curve which represents the sky, corresponds with the gesturing hand.  The Moqui etching (Gilbert MS.) for rain, i.e., a cloud from which the drops are falling, is given in Fig. 185.

[Illustration:  Fig. 185.]

[Illustration:  Fig. 186.]

The same authority gives two signs for lightning, Figs. 186 and 187.  In the latter the sky is shown, the changing direction of the streak, and clouds with rain falling.  The part relating specially to the streak is portrayed in a sign as follows:  Right hand elevated before and above the head, forefinger pointing upward, brought down with great rapidity with a sinuous, undulating motion; finger still extended diagonally downward toward the right. (Cheyenne II.)

[Illustration:  Fig. 187.]

[Illustration:  Fig. 188.]

[Illustration:  Fig. 189.]

Figs. 188 and 189 also represent lightning, taken by Mr. W.H.  Jackson, photographer of the late U.S.  Geolog. and Geog.  Survey, from the decorated walls of an estufa in the Pueblo de Jemez, New Mexico.  The former is blunt, for harmless, and the latter terminating in an arrow or spear point, for destructive or fatal, lightning.

[Illustration:  Fig. 190.]

[Illustration:  Fig. 191.]

A common sign for speech, speak, among the Indians is the repeated motion of the index in a straight line forward from the mouth.  This line, indicating the voice, is shown in Fig. 190, taken from the Dakota Calendar, being the expression for the fact that “the-Elk-that-hollows-walking,” a Minneconjou chief, “made medicine.”  The ceremony is indicated by the head of an albino buffalo.  A more graphic portraiture of the conception of voice is in Fig. 191, representing an antelope and the whistling sound produced by the animal on being surprised or alarmed.  This is taken from MS. drawing book of an Indian prisoner at Saint Augustine, Fla., now in the Smithsonian Institution, No. 30664.

[Illustration:  Fig. 192.]

Fig. 192 is the exhibition of wrestling for a turkey, the point of interest in the present connection being the lines from the mouth to the objects of conversation.  It is taken from the above-mentioned MS. drawing book.

The wrestlers, according to the foot prints, had evidently come together, when, meeting the returning hunter, who is wrapped in his blanket with only one foot protruding, they separated and threw off their blankets, leggings, and moccasins, both endeavoring to win the turkey, which lies between them and the donor.