their way through the huge, jade-green piles of vegetables.  Under the portico, with its grey, sun-bleached pillars, loitered a troop of draggled bareheaded girls, waiting for the auction to be over.  Others crowded round the swinging doors of the coffee-house in the piazza.  The heavy cart-horses slipped and stamped upon the rough stones, shaking their bells and trappings.  Some of the drivers were lying asleep on a pile of sacks.  Iris-necked and pink-footed, the pigeons ran about picking up seeds.

After a little while, he hailed a hansom and drove home.  For a few moments he loitered upon the doorstep, looking round at the silent square, with its blank, close-shuttered windows and its staring blinds.  The sky was pure opal now, and the roofs of the houses glistened like silver against it.  From some chimney opposite a thin wreath of smoke was rising.  It curled, a violet riband, through the nacre-coloured air.

In the huge gilt Venetian lantern, spoil of some Doge’s barge, that hung from the ceiling of the great, oak-panelled hall of entrance, lights were still burning from three flickering jets:  thin blue petals of flame they seemed, rimmed with white fire.  He turned them out and, having thrown his hat and cape on the table, passed through the library towards the door of his bedroom, a large octagonal chamber on the ground floor that, in his new-born feeling for luxury, he had just had decorated for himself and hung with some curious Renaissance tapestries that had been discovered stored in a disused attic at Selby Royal.  As he was turning the handle of the door, his eye fell upon the portrait Basil Hallward had painted of him.  He started back as if in surprise.  Then he went on into his own room, looking somewhat puzzled.  After he had taken the button-hole out of his coat, he seemed to hesitate.  Finally, he came back, went over to the picture, and examined it.  In the dim arrested light that struggled through the cream-coloured silk blinds, the face appeared to him to be a little changed.  The expression looked different.  One would have said that there was a touch of cruelty in the mouth.  It was certainly strange.

He turned round and, walking to the window, drew up the blind.  The bright dawn flooded the room and swept the fantastic shadows into dusky corners, where they lay shuddering.  But the strange expression that he had noticed in the face of the portrait seemed to linger there, to be more intensified even.  The quivering ardent sunlight showed him the lines of cruelty round the mouth as clearly as if he had been looking into a mirror after he had done some dreadful thing.

He winced and, taking up from the table an oval glass framed in ivory Cupids, one of Lord Henry’s many presents to him, glanced hurriedly into its polished depths.  No line like that warped his red lips.  What did it mean?

He rubbed his eyes, and came close to the picture, and examined it again.  There were no signs of any change when he looked into the actual painting, and yet there was no doubt that the whole expression had altered.  It was not a mere fancy of his own.  The thing was horribly apparent.