Revelations, 57, 74

Revival of learning, 65

Reynolds, 169-175

Richard II., portrait of, 29 et seq.
  diptych, 47, 50, 139, 197
  diptych in collection of Charles I., 147

Roger van der Weyden, 61

Rome, influence on Turner, 181

Rossetti, 190 et seq.

Royal Academy, 174

Rubens, 138, 143-145
  friendship with Velasquez, 157
  on Charles I., 147

Ruysdael, 141

Santi, Giovanni, 79

St. Catherine, Raphael’s, 85
  burial of, 90

St. Catherine of Siena, 17

St. Edmund, 33

St. Francis of Assisi, 17, 21
  preaching to the birds, 4, 23, 50

St. George slaying the dragon, 100-102

St. Jerome’s cell, 6, 63-69
  lion of, 142

St. Matthew, 46

Saskia, 121, 122 et seq.

Savonarola, 73-76

Sistine Madonna, 85

Spain, greatness of, in sixteenth century, 153

Stained-glass windows, influence of in the fourteenth century, 36

Steen, Jan, 137, 167

‘Strayed Sheep,’ 191

‘Surrender of Breda,’ 159

Tenniel, 2

Tennyson, portrait of, 195

Terborch, 137

‘Three Maries,’ 46-59
  compared with Botticelli’s ‘Nativity,’ 77
  compared with Raphael’s ‘Knight’s Dream,’ 85
  treatment of atmosphere in, 140

Timoteo Viti, 82

Tintoret, 99-102
  influence on Velasquez, 159

Titian, 98, 99, 140, 159

Turner, 176-187
  sunsets of, 9

‘Ulysses deriding Polyphemus,’ 184

Umbrian landscape, beauty of, 79

‘Valparaiso,’ 193

Van Dyck, 145-152
  compared with Reynolds, 170 et seq.
  comparison with Velasquez, 161

Van Eyck’s influence in Germany, 105

Vasari, 23, 25

Velasquez, 153-164
  compared with Reynolds, 169
  influence of, 193

Venice, influence on Turner, 180, 185
  influence of on Venetian artists, 93 et seq.

Veronese, 102

Watts, 195-197

Whistler, 192 et seq., 193

William the Silent, 116, 146

William II. of Orange, 146-152

William III., 146

Wood-cutting, process of, 127

Wool industry, importance of, 41

THE END

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