Hogarth, 166 et seq.

Holbein, 102-115, 139, 151
  ‘Erasmus’ in collection of Charles I., 147

Holman Hunt, 190, 191

Horne, Herbert P., 74

Hubert van Eyck, 46 et seq., 140

Hulin, Dr., 49

Il Penseroso, 83

Impressionism, beginning of, 162

Infanta Marguerita, 161 et seq.

James II., 149

Jerusalem Chamber, 18
  view of, taken in 1486, 49

Joachim, portrait of, 195

John, Duke of Berry, 40, 42, 53

John, King of France, 40

John van Eyck, 60
  compared with Durer, 107

Josse Vyt, 58

Julius II., Pope, 88

‘Knight’s Dream,’ 78, 82-86

L’Allegro, 83

Landscape painting, beginning of, 50

Lely, Sir Peter, 131

Leonardo da Vinci, 80-81, 89-90, 110
  compared with Durer, 107

‘Les Meninas,’ 162

Liber Studiorum, 183

Louis, Duke of Anjou, 40

Luini, Bernardino, 90-91

‘Madonna of the Rocks,’ 90

‘Man in Armour,’ 126-127

Mantegna, 69, 70, 102
  ‘Triumphs of Caesar,’ 148

Maria Theresa, 163

Marie de Medicis, 143

Mary Stuart, 149-150

Medieval detail, 37
  coronation, solemnity of, 34
  guilds, 44

Michelangelo, 80
  influence on Reynolds, 169, 172
  influence on Tintoret, 99

Millais, 190

Milton, 83

More, Sir Thomas, 109, 110

Mosque of Omar, 49

Newbolt, Henry, 187

‘Night Watch,’ Rembrandt’s, 123-124

‘Norham Castle,’ 183

‘Norwich School,’ 178

‘Pallas Athene,’ 127

Perspective, 66
  absence of, 55
  Hubert’s improvement in, 55
  mastery of, in Renaissance, 67

Perugino, 79

Peter de Hoogh, 133-136

Philip IV., 154, 155

Philip the Bold, 40, 41

Philip the Good, 52

Photographs and pictures, the difference between them, 4

Portraiture, in the fifteenth century, growth of, 60

Pre-Raphaelite Brotherhood, 189 et seq.

‘Rain, Steam, and Speed,’ 184

Raphael, 78-89, 140
  cartoons, in collection of Charles I., 147
  comparison with Giorgione, 94, 97
  influence on Velasquez, 159

‘Red Ridinghood,’ 197

Reformation, effect of on art, 108

Rembrandt, 118-132, 135
  ‘Anatomy,’ 122, 157
  compared with Peter de Hoogh, 134
  compared with Van Dyck, 151
  compared with Velasquez, 156
  landscapes of, 139
  Syndics, 130