As he was bracing himself for this fresh disappointment, Mr. Graham, the purchaser of The Gentlemen’s Magazine which he proposed to combine with The Casket in the creation of Graham’s Magazine, sat in his office with a paper before him which the initiated would have at once recognized as an Edgar Poe manuscript.  It was a long, narrow strip, formed by pasting pages together endwise, and had been submitted in a tight roll which Mr. Graham unrolled as he read.  The title at the top of the strip, in The Dreamer’s neat, legible handwriting was, “The Man of the Crowd.”

There was nothing gruesome about Mr. Graham.  His candid brow, his kindling blue eye, his fresh-colored cheeks, the genial curve of his lip and his strong but amiable chin, spoke of a sunshiny nature, with neither taste nor turn for the weird.  But, as he read, the strange “conscience-story” moved him—­held him in a grip of intense interest—­wove a spell around him.  He was on the lookout for original material—­undoubtedly he had it in this manuscript.  He recalled “Billy” Burton’s last words to him:  “Take care of my young editor.”

A smile lighted his pleasant face.  He had his own mental endowments—­generous ones—­and without the least conceit he knew it; but he had no ambition to patronize genius.

“The writer of this story is quite able to take care of himself,” he informed his inner consciousness, “And if I can only form a connection with him it will doubtless be a case of the young editor’s taking care of me.”

Upon the next afternoon Mr. Graham set out on a pilgrimage to Spring Garden.  Though it was November the air was mild and the sunshine was mellow.  Was the sky always so blue in Spring Garden, he wondered?  He found the rose-embowered cottage without difficulty, for he had obtained minute directions.  The roses were all gone but the foliage was still green and the little white-paled garden was bright with the sunset-hued flowers of autumn.  Flowers and cottage stood bathed in the light of the golden afternoon—­the picture of serenity.  What marked this quaint, small homestead?—­set back from the quiet village street—­tucked away behind its garden-spot from the din of the world?  What made it different from others of its neighborhood and character?  Was it just a notion of his (Mr. Graham wondered) that made him feel that here was poetry pure and simple?—­visible poetry?

With sensations of keen interest he lifted the knocker.  Edgar Poe himself opened the door and his captivating smile, cordial hand-clasp and words of warm, as well as courtly, greeting raised the visitor instantly from the ranks of the caller to the place of a friend.  Mr. Graham had met Edgar Poe before and had felt his charm, but he now told himself that to know him one must see him under his own roof, and in the character of host.