All
is at sea behind the scenes,
Why
do they fear and funk?
Alas,
alas, the Hunky Kid
Is
lamentably drunk!
He’s
in that most unlovely stage
Of
half intoxication
When
men resent the hint they’re tight
As
a personal imputation!
“Ring
up! Ring up!” Orlando cried,
“Or
we must cut the scene;
For
Charles the Wrestler is imbued
With
poisonous benzine;
And
every moment gets more drunk
Than
he before has been.”
The
wrestling scene has come and Charles
Is
much disguised in drink;
The
stage to him’s an inclined plane,
The
footlights make him blink.
Still
strives he to act well his part
Where
all the honour lies,
Though
Shakespeare would not in his lines—
His
language recognise.
Instead
of “Come, where is this young——?”
This
man of bone and brawn,
He
squares himself and bellows: “Time!
Fetch
your Orlandos on!”
“Now,
Hercules be thy speed, young man,”
Fair
Rosalind said she,
As
the two wrestlers in the ring
Grapple
right furiously;
But
Charles the Wrestler had no sense
Of
dramatic propriety.
He
seized on Mr. Romeo Jones,
In
Graeco-Roman style:
He
got what they call a grape-vine lock
On
that leading juvenile;
He
flung him into the orchestra,
And
the man with the ophicleide,
On
whom he fell, he just said—well,
No
matter what—and died!
When
once the tiger has tasted blood
And
found that it is sweet,
He
has a habit of killing more
Than
he can possibly eat.
And
thus it was with the Hunky Kid;
In
his homicidal blindness,
He
lifted his hand against Rosalind
Not
in the way of kindness;
He
chased poor Celia off at L.,
At
R.U.E. Le Beau,
And
he put such a head upon Duke Fred,
In
fifteen seconds or so,
That
never one of the courtly train
Might
his haughty master know.
* * * * *
And that’s precisely
what came to pass,
Because the luckless carles
Belonging to the Am. Dram. Ass.
Cast the Hunky Kid for Charles!
—New York World.
A BALLAD OF A BAZAAR.
BY CAMPBELL RAE-BROWN.
First Day.