It
had a walking gentleman,
A
leading juvenile,
First
lady in book-muslin dressed.
With
a galvanic smile;
Thereto
a singing chambermaid,
Benignant
heavy pa,
And
oh, heavier still was the heavier vill-
Ain,
with his fierce “Ha! Ha!”
There
wasn’t an author from Shakespeare down—
Or
up—to Boucicault,
These
amateurs weren’t competent
To
collar and assault.
And
when the winter time came round—
“Season”
’s a stagier phrase—
The
Am. Dram. Ass. assaulted one
Of
the Bard of Avon’s plays.
’Twas
As You Like It that they chose;
For
the leading lady’s heart
Was
set on playing Rosalind
Or
some other page’s part,
And
the President of the Am. Dram. Ass.,
A
stalwart dry-goods clerk,
Was
cast for Oriando, in which role
He
felt he’d make his mark.
“I
mind me,” said the President,
(All
thoughtful was his face,)
“When
Oriando was taken by Thingummy
That
Charles was played by Mace.
Charles
hath not many lines to speak,
Nay,
not a single length—
If
find we can a Mussulman
(That
is, a man of strength),
And
bring him on the stage as Charles—
But,
alas, it can’t be did—”
“It
can,” replied the Treasurer;
“Let’s
get the Hunky Kid.”
This
Hunky Kid of whom he spoke
Belonged
to the P.R.;
He
always had his hair cut short,
And
always had catarrh;
His
voice was gruff, his language rough,
His
forehead villainous low,
And
’neath his broken nose a vast
Expanse
of jaw did show.
He
was forty-eight about the chest,
And
his fore-arm at the mid-
Dle
measured twenty-one and a-half—
Such
was the Hunky Kid!
The
Am. Dram. Ass. they have engaged
This
pet of the P.R.;
As
Charles the Wrestler he’s to be
A
bright particular star.
And
when they put the programme out,
Announce
him thus they did:
Oriando...Mr.
ROMEO JONES;
Charles...Mr.
HUNKY KID.
The
night has come; the house is packed,
From
pit to gallery,
As
those who through the curtain peep
Quake
inwardly to see.
A
squeak’s heard in the orchestra,
As
the leader draws across
Th’
intestines of the agile cat
The
tail of the noble hoss.