History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 8 (of 12) eBook

Gaston Maspero
This eBook from the Gutenberg Project consists of approximately 410 pages of information about History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 8 (of 12).

History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 8 (of 12) eBook

Gaston Maspero
This eBook from the Gutenberg Project consists of approximately 410 pages of information about History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 8 (of 12).

[Illustration:  143.jpg THE HEMISPEOS OP HATHOR AND BISU, AT GEBEL-BARKAL]

     Drawn by Faucher-Gudin, from a lithograph in Caillaud.

Bisu, who was at first relegated to the lowest rank among the crowd of genii adored by the people, had gradually risen to the highest place in the hierarchy of the gods, and his images predominated in chapels destined to represent the cradle of the infant gods, and the sacred spots where goddesses gave birth to their divine offspring.

[Illustration:  144.jpg ENTRANCE TO THE HEMISPEOS OF BISU (BES), AT GEBEL-BARKAL]

     Drawn by Faucher-Gudin, from a lithograph in Caillaud.

The portico erected in front of the pylon had a central avenue of pillars, against which stood monstrous and grinning statues of Bisu, his hands on his hips, and his head crowned with a large bunch of lotus-flowers and plumes.  Two rows of columns with Hathor-headed capitals flanked the central aisle, which led to a hall supported by massive columns, also with Hathor capitals, and beyond it again lay the actual shrine similarly excavated in the rocky hill; two statues of Bisu, standing erect against their supporting columns, kept guard over the entrance, and their fantastic forms, dimly discernible in the gloom, must have appeared in ancient times to have prohibited the vulgar throng from approaching the innermost sanctuary.  Half of the roof has fallen in since the building was deserted, and a broad beam of light falling through the aperture thus made reveals the hideous grotesqueness of the statues to all comers.  The portraits of Taharqa represent him with a strong, square-shaped head, with full cheeks, vigorous mouth, and determined chin, such as belong to a man well suited to deal with that troubled epoch, and the knowledge we as yet possess of his conflict with Assyria fully confirms the character exhibited by his portrait statues.

[Illustration:  145.jpg TAHARQA]

     Drawn by Faucher-Gudin, from a cast of the fragment
     preserved at Gizeh

We may surmise that, when once absolute master of Egypt, he must have cast his eyes beyond the isthmus, and considered how he might turn to his own advantage the secret grudge borne by the Syrians against their suzerain at Nineveh, but up to the present time we possess no indications as to the policy he pursued in Palestine.  We may safely assume, however, that it gave umbrage to the Assyrians, and that Esarhaddon resolved to put an end once for all to the uneasiness it caused him.  More than half a century had elapsed since the day when the kings of Syria, alarmed at the earliest victories of Tiglath-pileser III., had conceived the idea of pitting their former conquerors against those of the day, and had solicited help from the Pharaohs against Assyria.

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History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 8 (of 12) from Project Gutenberg. Public domain.