[Illustration: 074.jpg KHONSU* AND TEMPLE OF KHONSU**.]
* Drawn by Faucher-Gudin,
from a bronze statuette in the
Gizeh Museum.
** Drawn by Thuillier:
A is the pylon, B the court, C the
hypostyle hall, E the
passage isolating the sanctuary, D the
sanctuary, F the opisthodomos
with its usual chambers.
The priests were, therefore, obliged to fall back upon a personage of lesser importance, named Khonsu, who up to that period had been relegated to an obscure position in the celestial hierarchy. How they came to identify him with the moon, and subsequently with Osiris and Thot, is as yet unexplained,* but the assimilation had taken place before the XIXth dynasty drew to its close. Khonsu, thus honoured, soon became a favourite deity with both the people and the upper classes, at first merely supplementing Montu, but finally supplanting him in the third place of the Triad. From the time of Sesostris onwards, Theban dogma acknowledged him alone side by side with Amon-Ra and Mut the divine mother.
* It is possible that this assimilation originated in the fact that Khonsu is derived from the verb “khonsu,” to navigate: Khonsu would thus have been he who crossed the heavens in his bark—that is, the moon-god.
[Illustration: 075.jpg THE TEMPLE OF KHONSU AT KARNAK]
Drawn by Faucher-Gudin, from a photograph by Beato.
It was now incumbent on the Pharaoh to erect to this newly made favourite a temple whose size and magnificence should be worthy of the rank to which his votaries had exalted him. To this end, Ramses III. chose a suitable site to the south of the hypostyle hall of Karnak, close to a corner of the enclosing wall, and there laid the foundations of a temple which his successors took nearly a century to finish.*