against Ramses III. by the fictitious name of Pentauirit; Titianu was probably a nickname of the same kind inserted in place of the real name.  It seems that, in cases of high treason, the criminal not only lost his life, but his name was proscribed both in this world and in the next.

A revival of military greatness always entailed a renaissance in art, followed by an age of building activity.  The claims of the gods upon the spoils of war must be satisfied before those of men, because the victory and the booty obtained through it were alike owing to the divine help given in battle.  A tenth, therefore, of the slaves, cattle, and precious metals was set apart for the service of the gods, and even fields, towns, and provinces were allotted to them, the produce of which was applied to enhance the importance of their cult or to repair and enlarge their temples.  The main body of the building was strengthened, halls and pylons were added to the original plan, and the impulse once given to architectural work, the co-operation of other artificers soon followed.  Sculptors and painters whose art had been at a standstill for generations during the centuries of Egypt’s humiliation, and whose hands had lost their cunning for want of practice, were now once more in demand.  They had probably never completely lost the technical knowledge of their calling, and the ancient buildings furnished them with various types of models, which they had but to copy faithfully in order to revive their old traditions.  A few years after this revival a new school sprang up, whose originality became daily more patent, and whose leaders soon showed themselves to be in no way inferior to the masters of the older schools.  Ahmosis could not be accused of ingratitude to the gods; as soon as his wars allowed him the necessary leisure, he began his work of temple-building.  The accession to power of the great Theban families had been of little advantage to Thebes itself.  Its Pharaohs, on assuming the sovereignty of the whole valley, had not hesitated to abandon their native city, and had made Heracleopolis, the Fayum or even Memphis, their seat of government, only returning to Thebes in the time of the XIIIth dynasty, when the decadence of their power had set in.  The honour of furnishing rulers for its country had often devolved on Thebes, but the city had reaped but little benefit from the fact; this time, however, the tide of fortune was to be turned.  The other cities of Egypt had come to regard Thebes as their metropolis from the time when they had temples.  The main body of the building was strengthened, halls and pylons were added to the original plan, and the impulse once given to architectural work, the co-operation of other artificers soon followed.  Sculptors and painters whose art had been at a standstill for generations during the centuries of Egypt’s humiliation, and whose hands had lost their cunning for want of practice, were now once more in demand.  They had probably