are disposed along the right bank of the Nile, and
the most ancient are exactly opposite Minieh.
It is at Zawyet el-Meiyetin and at Kom-el-Ahmar, nearly
facing Hibonu, their capital, that we find the burying-places
of those who lived under the VIth dynasty. The
custom of taking the dead across the Nile had existed
for centuries, from the time when the Egyptians first
cut their tombs in the eastern range; it still continues
to the present day, and part of the population of
Minieh are now buried, year after year, in the places
which their remote ancestors had chosen as the site
of their “eternal houses.” The cemetery
lies peacefully in the centre of the sandy plain at
the foot of the hills; a grove of palms, like a curtain
drawn along the river-side, partially conceals it;
a Coptic convent and a few Mahommedan hermits attract
around them the tombs of their respective followers,
Christian or Mussulman. The rock-hewn tombs of
the XIIth dynasty succeed each other in one long irregular
line along the cliffs of Beni-Hasan, and the traveller
on the Nile sees their entrances continuously coming
into sight and disappearing as he goes up or descends
the river. These tombs are entered by a square
aperture, varying in height and width according to
the size of the chapel. Two only, those of Amoni-Amenemhait
and of Khnum-hotpu II., have a columned facade, of
which all the members—pillars, bases, entablatures—have
been cut in the solid rock: the polygonal shafts
of the facade look like a bad imitation of ancient
Doric. Inclined planes or nights of steps, like
those at Elephantine, formerly led from the plain up
to the terrace. Only a few traces of these exist
at the present day, and the visitor has to climb the
sandy slope as best he can: wherever he enters,
the walls present to his view inscriptions of immense
extent, as well as civil, sepulchral, military, and
historical scenes. These are not incised like
those of the Memphite mastabas, but are painted in
fresco on the stone itself. The technical skill
here exhibited is not a whit behind that of the older
periods, and the general conception of the subjects
has not altered since the time of the pyramid-building
kings. The object is always the same, namely,
to ensure wealth to the double in the other world,
and to enable him to preserve the same rank among
the departed as he enjoyed among the living: hence
sowing, reaping, cattle-rearing, the exercise of different
trades, the preparation and bringing of offerings,
are all represented with the same minuteness as formerly.
But a new element has been added to the ancient themes.
[Illustration: 405.jpg THE MODERN CEMETERY OF ZAWYET EL-MEIYETIN]
Drawn by Boudier, from a photograph by Insinger.