The interest in Mr. Monypenny’s work is enormously enhanced by the personality of his hero. In dealing with the careers of other English statesmen—for instance, with Cromwell, Chatham, or Gladstone—we do, indeed, glance—and more than glance—at the personality of the man, but our mature judgment is, or at all events should be, formed mainly on his measures. We inquire what was their ultimate result, and what effect they produced? We ask ourselves what degree of foresight the statesman displayed. Did he rightly gauge the true nature of the political, economic, or social forces with which he had to deal, or did he mistake the signs of the times and allow himself to be lured away by some ephemeral will-o’-the-wisp in the pursuit of objects of secondary or even fallacious importance? It is necessary to ask these questions in dealing with the career of Disraeli, but this mental process is, in his case, obscured to a very high degree by the absorbing personality of the man. The individual fills the whole canvas almost to the extent of excluding all other objects from view.
No tale of fiction is, indeed, more strange than that which tells how this nimble-witted alien adventurer, with his poetic temperament, his weird Eastern imagination and excessive Western cynicism, his elastic mind which he himself described as “revolutionary,” and his apparently wayward but in reality carefully regulated unconventionality, succeeded, in spite of every initial disadvantage of race, birth, manners, and habits of thought, in dominating a proud aristocracy