DIALOGUE.
(In A bookstore at Naples.)
A traveller (entering).—Have you any work on Pompeii?
The salesman.—Yes; we have several.
Here, for instance, is
Bulwer’s “Last Days of Pompeii.”
Traveller.—Too thoroughly romantic.
Salesman.—Well, here are the folios of Mazois.
Traveller.—Too heavy.
Salesman.—Here’s Dumas’s “Corricolo.”
Traveller.—Too light.
Salesman.—How would Nicolini’s magnificent work suit you?
Traveller.—Oh! that’s too dear.
Salesman.—Here’s Commander Aloe’s “Guide.”
Traveller.—That’s too dry.
Salesman.—Neither dry, nor romantic,
nor light, nor heavy!
What, then, would you have, sir?
Traveller.—A small, portable work; accurate, conscientious, and within everybody’s reach.
Salesman.—Ah, sir, we have nothing of that kind; besides, it is impossible to get up such a work.
The author (aside).—Who knows?
THE
Wonders of Pompeii.
I.
THE EXHUMED CITY.
The antique
landscape—the history of
Pompeii before and after
its destruction.—How
it was buried and exhumed.—Winkelmann
as A
Prophet.—The
excavations in the reign of
Charles III., Of Murat,
and of Ferdinand.—The
excavations as they now are.—Signor
Fiorelli.—Appearance
of the ruins.—What is
and what is not found
there.
A railroad runs from Naples to Pompeii. Are you alone? The trip occupies one hour, and you have just time enough to read what follows, pausing once in a while to glance at Vesuvius and the sea; the clear, bright waters hemmed in by the gentle curve of the promontories; a bluish coast that approaches and becomes green; a green coast that withdraws into the distance and becomes blue; Castellamare looming up, and Naples receding. All these lines and colors existed too at the time when Pompeii was destroyed: the island of Prochyta, the cities of Baiae, of Bauli, of Neapolis, and of Surrentum bore the names that they retain. Portici was called Herculaneum; Torre dell’Annunziata was called Oplontes; Castellamare, Stabiae; Misenum and Minerva designated the two extremities