The historical epochs of New York are adequately traceable by the successive pictures of her main thoroughfare,—beginning with the Indian village and the primeval forest which Henry Hudson found on the island of Manhattan in 1609, and advancing to the stockade fort of New Amsterdam, built where the Battery now is, by Wouter Van Twiller, the second Dutch governor, and thence to the era when the fur trade, tobacco-growing, and slavery were enriching the India Company, when the Wall was built on the site of the so-called financial rendezvous, to protect the settlement from savage invasion, and a deep valley marked the present junction of Canal Street and Broadway. The advent of a new class of artisans signalizes the arrival of Huguenot emigrants; the rebellion of Leisler marks the encroachment of new political agencies, and the substitution of Pitt’s statue for that of George III. on the Bowling Green in 1770, the dawn of Independence, so sturdily ushered in and cherished by the Liberty Boys, and culminating in the evacuation of the British in 1783, the entrance of Washington with the American army, and, two years after, in the meeting of the first Congress. These vicissitudes left their impress on the street. Every church but the Episcopal was turned by the English into a riding-school, prison, or stable; each successive charter was more liberal in its municipal privileges. The Boston stage long went from the Fort to the Park, and so on by the old post-road, and was fourteen days en route; pestilence, imported from the West India islands, depopulated the adjacent houses; water was sold from carts; and dimly lighted was the pedestrian on his midnight way, while old-fashioned watchmen cried the hour; and when, in 1807, Robert Fulton initiated steam navigation, the vast system of ferriage was established which inundated the main avenue of the