The restrictions on silk buttons are confined chiefly to magnitude.  They must not be so large as an opera ticket, nor so small as a silver penny.

Of Braids.—­This ornament, when worn in the street, is patronised exclusively by Polish refugees, theatrical Jews, opera-dancers, and boarding-house fortune-hunters.

Of Mustachios.—­The mustachio depends for its effect entirely upon its adaptation to the expression of the features of the wearer.  The small, or moustache a la chinoise, should only appear in conjunction with Tussaud, or waxwork complexions, and then only provided the teeth are excellent; for should the dental conformation be of the same tint, the mustachios would only provoke observation.  The German, or full hearth-brush, should be associated with what Mr. Ducrow would designate a “cream,” and everybody else a drab countenance, and should never be resorted to, except in conformity with regimental requisitions, or for the capture of an Irish widow, as they are generally indigenous to Boulogne and the Bench, and are known amongst tailors and that class of clothier victims as “bad debts,” or “the insolvency regulation,” and operate with them as an insuperable bar to

[Illustration:  PASSING A BILL.]

The perfect, or heart-meshes, are those in which each particular hair has its particular place, and must be of a silky texture, and not of a bristly consistency, like a worn-out tooth-brush.  Neither must they be of a bright red, bearing a striking resemblance to two young spring radishes.

The barbe au bonc, or Muntzian fringe, should only be worn when a gentleman is desirous of obtaining notoriety, and prefers trusting to his external embellishments in preference to his intellectual acquirements.

On Tips.—­Tips are an abomination to which no gentleman can lend his countenance.  They are a shabby and mangy compromise for mustachios, and are principally sported by the genus of clerks, who, having strong hirsute predilections, small salaries, and sober-minded masters, hang a tassel on the chin instead of a vallance on the upper lip.

Our space warns us to conclude, and, as a fortnight’s indolence is not the strongest stimulant to exertion, we willingly drop our pen, and taking the hint and a cigar, indulge in a voluminous cloud, and a lusty

[Illustration:  CARMEN TRIUMPHALE.]

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“HABIT IS SECOND NATURE.”

FEARGUS O’CONNOR always attends public meetings, dressed in a complete suit of fustian.  He could not select a better emblem of his writings in the Northern Star, than the material he has chosen for his habiliments.

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“THE SUBSTANCE AND THE SHADOW.”

We understand that Sir Robert Peel has sent for the fasting man, with the intention of seeing how far his system may be acted upon for the relief of the community.