Let us imagine a bride and bridegroom of the type that would now be most highly reverenced, and try to understand something of what their affection is. It is, of course, impossible here to treat such a subject adequately; for, as Mr. Carlyle says, ’except musically, and in the language of poetry, it can hardly be so much as spoken about.’ But enough for the present purpose can perhaps be said. In the first place, then, the affection in question will be seen to rest mainly upon two things—firstly, on the consciousness of their own respective characters on the part of each; and, secondly, on the idea formed by each of the character of the other. Each must have a faith, for instance, in his or her own purity, and each must have a like faith, also in the purity of the other. Thus, to begin with the first requisites, a man can only love a woman in the highest sense when he does so with a perfectly clear conscience. There must be no obstacle between them which shocks his sense of right, or which, if known by the woman, would shock hers. Were the affection indulged in, in spite of such an obstacle, its fine quality would be injured, no matter how great its intensity; and, instead of a moral blessing, it would become a moral curse. An exquisite expression of the necessity of this personal sense of rightness may be read into the well-known lines,
I could not love thee,
dear, so well,
Loved I not honour more.
Nor shall we look on honour here as having reference only to external acts and conditions. It has reference equally, if not more, to the inward state of the heart. The man must be conscious not only that he is loving the right woman, but that he is loving her in the right way. ’If I loved not purity more than you,’ he would say to her, ’I were not worthy of you.’