It was the only thing to do, but Chandler and all his sort had opposed it. The Abolition fury against the government was at fever heat. Wendell Phillips in a speech at New York denounced the Administration as having no definite purpose in the war, and was interrupted by frantic cheers for Fremont. McClellan, patiently drilling his army, was, in the eyes of the Jacobins, doing nothing. Congress had assembled. There was every sign that troubled waters lay just ahead.
XIX. THE JACOBINS BECOME INQUISITORS
The temper animating Hay’s “Jacobins” formed a new and really formidable danger which menaced Lincoln at the close of 1861. But had he been anything of an opportunist, it would have offered him an unrivaled opportunity. For a leader who sought personal power, this raging savagery, with its triple alliance of an organized political machine, a devoted fanaticism, and the war fury, was a chance in ten thousand. It led to his door the steed of militarism, shod and bridled, champing upon the bit, and invited him to leap into the saddle. Ten words of acquiescence in the program of the Jacobins, and the dreaded role of the man on horseback was his to command.
The fallacy that politics are primarily intellectual decisions upon stated issues, the going forth of the popular mind to decide between programs presented to it by circumstances, receives a brilliant refutation in the course of the powerful minority that was concentrating around the three great “Jacobins.” The subjective side of politics, also the temperamental side, here found expression. Statecraft is an art; creative statesmen are like other artists. Just as the painter or the poet, seizing upon old subjects, uses them as outlets for his particular temper, his particular emotion, and as the temper, the emotion are what counts in his work, so with statesmen, with Lincoln on the one hand, with Chandler at the opposite extreme.