Under these circumstances, I determined to trust to the chapter of accidents; and armed with a knapsack, a sketch-book, and an air-gun, took my seat one morning in the Foggia diligence, with the vague idea of getting as near the scene of operations as possible, and seeing what would turn up. The air-gun was not so much a weapon of offence or defence as a means of introduction to the inhabitants. It had the innocent appearance of rather a thick walking-cane, with a little brass trigger projecting; and in the afternoon I would join the group sitting in front of the chemist’s, which, for some reason or other, is generally a sort of open-air club in a small Neapolitan town, or stroll into the single modest cafe of which it might possibly boast, and toy abstractedly with the trigger. This, together with my personal appearance—for do what I would, I could never make myself look like a Neapolitan—would be certain to attract attention, and some one bolder than the rest would make himself the spokesman, and politely ask me whether the cane in my hand was an umbrella or a fishing-rod; on which I would amiably reply that it was a gun, and that I should have much pleasure in exhibiting my skill and the method of its operation to the assembled company. Then the whole party would follow me to an open space, and I would call for a pack of cards, and possibly—for I was a good shot in those days—pink the ace of hearts at fifteen paces. At any rate my performances usually called forth plaudits, and this involved a further interchange of compliments and explanations, and the production of my sketch-book, which soon procured me the acquaintance of some ladies and an invitation as an English artist, to the house of some respectable citizen.