What he couldn’t understand was why Mrs. Travers should have put off his natural curiosity as to her latest conference with the Man of Fate by an incredible statement as to the nature of the conversation. Talk about dresses, opera, people’s names. He couldn’t take this seriously. She might have invented, he thought, something more plausible; or simply have told him that this was not for him to know. She ought to have known that he would not have been offended. Couldn’t she have seen already that he accepted the complexion of mystery in her relation to that man completely, unquestionably; as though it had been something preordained from the very beginning of things? But he was not annoyed with Mrs. Travers. After all it might have been true. She would talk exactly as she liked, and even incredibly, if it so pleased her, and make the man hang on her lips. And likewise she was capable of making the man talk about anything by a power of inspiration for reasons simple or perverse. Opera! Dresses! Yes—about Shakespeare and the musical glasses! For a mere whim or for the deepest purpose. Women worthy of the name were like that. They were very wonderful. They rose to the occasion and sometimes above the occasion when things were bound to occur that would be comic or tragic (as it happened) but generally charged with trouble even to innocent beholders. D’Alcacer thought these thoughts without bitterness and even without irony. With his half-secret social reputation as a man of one great passion in a world of mere intrigues he liked all women. He liked them in their sentiment and in their hardness, in the tragic character of their foolish or clever impulses, at which he looked with a sort of tender seriousness.