Beneath a bony buttonwood
The mill’s red door
lets forth the din;
The whitened miller, dust-imbued,
15
Flits past the square of dark
within.
No mountain torrent’s
strength is here;
Sweet Beaver, child of forest
still,[26]
Heaps its small pitcher to
the ear,
And gently waits the miller’s
will. 20
Swift slips Undine along the
race
Unheard, and then, with flashing
bound,
Floods the dull wheel with
light and grace,
And, laughing, hunts the loath
drudge round.
The miller dreams not at what
cost 25
The quivering millstones hum
and whirl,
Nor how for every turn are
tost
Armfuls of diamond and of
pearl.
But Summer cleared my happier
eyes
With drops of some celestial
juice, 30
To see how Beauty underlies,
Forevermore each form of use.
And more; methought I saw
that flood,
Which now so dull and darkling
steals,
Thick, here and there, with
human blood, 35
To turn the world’s
laborious wheels.
[Footnote 26: Beaver Brook was within walking distance of the poet’s home. See The Nightingale in the Study.]
No more than doth the miller
there,
Shut in our several cells,
do we
Know with what waste of beauty
rare
Moves every day’s machinery.
40
Surely the wiser time shall
come
When this fine overplus of
might,
No longer sullen, slow, and
dumb,
Shall leap to music and to
light.
In that new childhood of the
Earth 45
Life of itself shall dance
and play,
Fresh blood in Time’s
shrunk veins make mirth,
And labor meet delight half
way.
THE SHEPHERD OF KING ADMETUS.
There came a youth upon the
earth,
Some thousand
years ago,
Whose slender hands were nothing
worth,
Whether to plough, or reap,
or sow.
Upon an empty tortoise-shell
5
He stretched some
chords, and drew
Music that made men’s
bosoms swell
Fearless, or brimmed their
eyes with dew.
Then King Admetus, one who
had
Pure taste by
right divine,
10
Decreed his singing not too
bad
To hear between the cups of
wine:
And so, well pleased with
being soothed
Into a sweet half-sleep,
Three times his kingly beard
he smoothed, 15
And made him viceroy o’er
his sheep.
His words were simple words
enough,
And yet he used
them so,
That what in other mouths
was rough
In his seemed musical and
low. 20